Description
Book SynopsisAn introduction to some of the issues and concerns arising from the concept of film remaking.
Trade ReviewConstantine's Verevis's recent study is a welcome addition to the growing discourse on the sea of topics that 'remakes' embrace that will prove invaluable for students, scholars of media studies as well as for disciplined general readers of cinematic culture. In this groundbreaking study, Constantine Verevis explores an aspect of commercial film production interesting to the scholar and movie enthusiast alike: remaking. Film remakes can be profitably viewed from a number of perspectives, and this book provides an intriguing and revealing anatomy of the phenomenon. Verevis writes with verve and insight; an important feature of Film Remakes is the series of individual analyses that sparkle with revealing and intelligent comment as they clarify general points about remaking. Though theoretically informed, this book is wonderfully accessible to the general reader. -- R. Barton Palmer, Calhoun Lemon Professor of Literature at Clemson University A fine work of scholarship, Film Remakes promises to change the way we think about the phenomenon of the remake, and indeed about films, culture and intertextuality. This is the most authoritative, subtle and complex work on the cinematic remake that I have encountered. Verevis moves elegantly between history, theoretical argument and case studies -- Lesley Stern, Professor of Film and Media, Visual Arts Department, University of California, San Diego "Constantine's Verevis's recent study is a welcome addition to the growing discourse on the sea of topics that 'remakes' embrace that will prove invaluable for students, scholars of media studies as well as for disciplined general readers of cinematic culture." - Screeing the Past, online journal, Issue 20 Constantine's Verevis's recent study is a welcome addition to the growing discourse on the sea of topics that 'remakes' embrace that will prove invaluable for students, scholars of media studies as well as for disciplined general readers of cinematic culture. In this groundbreaking study, Constantine Verevis explores an aspect of commercial film production interesting to the scholar and movie enthusiast alike: remaking. Film remakes can be profitably viewed from a number of perspectives, and this book provides an intriguing and revealing anatomy of the phenomenon. Verevis writes with verve and insight; an important feature of Film Remakes is the series of individual analyses that sparkle with revealing and intelligent comment as they clarify general points about remaking. Though theoretically informed, this book is wonderfully accessible to the general reader. A fine work of scholarship, Film Remakes promises to change the way we think about the phenomenon of the remake, and indeed about films, culture and intertextuality. This is the most authoritative, subtle and complex work on the cinematic remake that I have encountered. Verevis moves elegantly between history, theoretical argument and case studies "Constantine's Verevis's recent study is a welcome addition to the growing discourse on the sea of topics that 'remakes' embrace that will prove invaluable for students, scholars of media studies as well as for disciplined general readers of cinematic culture." - Screeing the Past, online journal, Issue 20
Table of Contents1. Introduction: Remaking Film; 2. Commerce; 3. Authors; 4. Texts; 5. Genres; 6. Audiences; 7. Discourse; 8. Conclusion: Remaking Everything.
