Description
Book SynopsisA wide-ranging, informative, stimulating and inventive study of an essential element of cinema.
Trade Review‘In this fascinating study, Lara Thompson unfurls the history and expressive potential of cinematic lighting. Thompson's nuanced readings, which span screen images from the silent to the post-digital era, are both complex and accessible, extending beyond formal analysis to engage with our experience of light and its significance in moving image culture. An exciting contribution to the field, Film light invites us to take a fresh look at the power of light in the cinema.’
Pam Cook, Professor Emerita in Film at the University of Southampton
'Thompson's careful choice of case studies and their contribution to the argument continually bring questions of materiality into dialogue with film aesthetics and film history. In the book's perhaps most engaging chapter, she explores the way in which light and darkness mingle at dawn and dusk, suggesting that these threshold moments illuminate cinema's own liminality. This is a passionately written as well as intellectually acute work.'
Laura Mulvey, Professor of Film and Media Studies at Birkbeck College, University of London
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Table of ContentsIntroduction
Part I: The presence of light
1. Identity
2. Authenticity
3. The imaginary
Part II: The absence of light
4. Mystery
5. The past
6. The magic hour
Afterglow
Index
