Description

Book Synopsis

This fully revised second edition textbook is especially designed to introduce undergraduate students to the most important qualitative methodologies used to study film and television.

The methodologies covered in Film and Television Analysis include: ideological analysis, auteur theory, genre theory, semiotics and structuralism, psychoanalysis and apparatus theory, feminism, postmodernism, cultural studies (including reception and audience studies), and contemporary approaches to race, nation, gender, and sexuality. With each chapter focusing on a distinct methodology, students are introduced to the historical developments of each approach, along with its vocabulary, significant scholars, key concepts, and case studies.

Features of the second edition include:

  • new and updated case studies to accompany each chapter
  • over 130 color images throughout
  • questions for discussion at the end of each chapter
  • suggestions for further read

    Trade Review

    "This revised edition adds new material and emphasis on television and streaming shows but remains a solid and impressive introduction and compendium of critical and theoretical concepts for analyzing films, television, and assorted media forms. The text contains a remarkable number of conceptual frameworks and history of those frameworks and methods, and all in a highly readable form. The book’s key strength is its modeling of ideas and examples of analysis with openness and nuance. It remains easily scalable and adaptable to a variety of introductory and intermediate courses in film/media criticism."

    Rick Worland, Southern Methodist University



    Table of Contents

    Foreword: About this book 1. Introduction to culture and cultural criticism 2. Concepts of ideology 3. Semiotics, structuralism, and beyond 4. Authorship and the auteur theory 5. Film and television genres 6. Psychoanalysis (part one): Basic concepts 7. Psychoanalysis (part two): Screen and apparatus theory 8. Feminist approaches to film and television 9. Film, television, and the postmodern 10. Cultural studies and reception 11. Audiences and fandoms 12. Beyond identity politics: Contemporary thinking on nation, race, gender, and sexuality

Film and Television Analysis

    Product form

    £49.99

    Includes FREE delivery

    Order before 4pm today for delivery by Thu 13 Aug 2026.

    A Paperback by Harry M. Benshoff, Caryn Murphy

    15 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Film and Television Analysis by Harry M. Benshoff

      Publisher: Taylor & Francis
      Publication Date: Publication Date: 1/31/2024 12:00:00 AM
      ISBN13: 9780367186845, 978-0367186845
      ISBN10: 0367186845
      Also in:
      Media studies

      Description

      Book Synopsis

      This fully revised second edition textbook is especially designed to introduce undergraduate students to the most important qualitative methodologies used to study film and television.

      The methodologies covered in Film and Television Analysis include: ideological analysis, auteur theory, genre theory, semiotics and structuralism, psychoanalysis and apparatus theory, feminism, postmodernism, cultural studies (including reception and audience studies), and contemporary approaches to race, nation, gender, and sexuality. With each chapter focusing on a distinct methodology, students are introduced to the historical developments of each approach, along with its vocabulary, significant scholars, key concepts, and case studies.

      Features of the second edition include:

      • new and updated case studies to accompany each chapter
      • over 130 color images throughout
      • questions for discussion at the end of each chapter
      • suggestions for further read

        Trade Review

        "This revised edition adds new material and emphasis on television and streaming shows but remains a solid and impressive introduction and compendium of critical and theoretical concepts for analyzing films, television, and assorted media forms. The text contains a remarkable number of conceptual frameworks and history of those frameworks and methods, and all in a highly readable form. The book’s key strength is its modeling of ideas and examples of analysis with openness and nuance. It remains easily scalable and adaptable to a variety of introductory and intermediate courses in film/media criticism."

        Rick Worland, Southern Methodist University



        Table of Contents

        Foreword: About this book 1. Introduction to culture and cultural criticism 2. Concepts of ideology 3. Semiotics, structuralism, and beyond 4. Authorship and the auteur theory 5. Film and television genres 6. Psychoanalysis (part one): Basic concepts 7. Psychoanalysis (part two): Screen and apparatus theory 8. Feminist approaches to film and television 9. Film, television, and the postmodern 10. Cultural studies and reception 11. Audiences and fandoms 12. Beyond identity politics: Contemporary thinking on nation, race, gender, and sexuality

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