Description

Book Synopsis
Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.

Table of Contents
Contents Director’s Remarks Acknowledgements List of Illustrations Notes on Contributors Introduction  Paula Nuttall  1 The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)  Jonathan K. Nelson  2 Filippino in Botticelli’s Workshop  Michelle O’Malley  3 Visible Rays in Filippino’s London Adoration of the Magi  Paul Hills  4 Filippino Lippi’s Lucchese Patrons  Geoffrey Nuttall  5 The Virgin at the Well in Filippino’s San Gimignano Annunciation  Joost Joustra  6 ‘... di naturale tanto bene che non pare che gli manchi se non la parola.’: Filippino Lippi pittore di ritratti  Patrizia Zambrano  7 From Reiteration to Dialogue: Filippino’s Responses to Netherlandish Painting  Paula Nuttall  8 Annunciations and Assumptions: Notes on a Particular Constellation in the Carafa Chapel  Johannes Grave  9 The Temporary and the Temporal: Suspense in the Strozzi Chapel  Alison Wright  10 Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnica  Alessandra Popple and Cristiana Conti  11 Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel Decoration  Charles Robertson  12 Reconsidering Lucchese Painting after Filippino  Christopher Daly  13 ‘L’un des plus grands maîtres de l’école Florentine’: Filippino Lippi and His Workshop in French Collections  Matteo Gianeselli  14 Sfortuna di Raffaellino del Garbo  Alessandro Cecchi Appendix: A Note on the Identification of the Saints in the Background of the London Adoration of the Magi  Jill Dunkerton and Rachel Billinge List of Photographic Credits Index

Filippino Lippi: Beauty, Invention and Intelligence

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    A Hardback by Paula Nuttall, Geoffrey Nuttall, Michael Kwakkelstein

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      Publisher: Brill
      Publication Date: 23/07/2020
      ISBN13: 9789004416109, 978-9004416109
      ISBN10:

      Description

      Book Synopsis
      Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.

      Table of Contents
      Contents Director’s Remarks Acknowledgements List of Illustrations Notes on Contributors Introduction  Paula Nuttall  1 The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)  Jonathan K. Nelson  2 Filippino in Botticelli’s Workshop  Michelle O’Malley  3 Visible Rays in Filippino’s London Adoration of the Magi  Paul Hills  4 Filippino Lippi’s Lucchese Patrons  Geoffrey Nuttall  5 The Virgin at the Well in Filippino’s San Gimignano Annunciation  Joost Joustra  6 ‘... di naturale tanto bene che non pare che gli manchi se non la parola.’: Filippino Lippi pittore di ritratti  Patrizia Zambrano  7 From Reiteration to Dialogue: Filippino’s Responses to Netherlandish Painting  Paula Nuttall  8 Annunciations and Assumptions: Notes on a Particular Constellation in the Carafa Chapel  Johannes Grave  9 The Temporary and the Temporal: Suspense in the Strozzi Chapel  Alison Wright  10 Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnica  Alessandra Popple and Cristiana Conti  11 Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel Decoration  Charles Robertson  12 Reconsidering Lucchese Painting after Filippino  Christopher Daly  13 ‘L’un des plus grands maîtres de l’école Florentine’: Filippino Lippi and His Workshop in French Collections  Matteo Gianeselli  14 Sfortuna di Raffaellino del Garbo  Alessandro Cecchi Appendix: A Note on the Identification of the Saints in the Background of the London Adoration of the Magi  Jill Dunkerton and Rachel Billinge List of Photographic Credits Index

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