Description
Book SynopsisLaura-Zoë Humphreys tracks late-socialist Cuba's changing dynamics of social criticism and censorship through Cuban cinema and its cultural politics.
Trade Review“By complicating notions of censorship, criticism, and participatory politics in a repressive nation-state such as Cuba, Laura-Zoë Humphreys challenges prevailing interpretations of Cuban films as either supporting or criticizing the Revolution and its leader or as simply negotiating Cuba's political crisis. Drawing on personal interviews with directors and audiences, and textual analysis of films, articles, and reviews, Humphreys shows how allegorical filmmaking and spectators' ‘reading between the lines’ operate through political paranoia where spectators impose a political meaning on cinematic texts forcing filmmakers to defend their artistic creations.” -- Yeidy M. Rivero, author of * Broadcasting Modernity: Cuban Commercial Television, 1950–1960 *
“Based on many years of fieldwork, this book makes an important contribution to our understanding of Cuban cinema and its cultural politics. Laura-Zoë Humphreys addresses canonical texts, both artistic and political, within the context of some of the island's most important cultural and political developments. This impressive accomplishment is both timely and extremely useful to the understanding of contemporary Cuba and to socialist and postsocialist cultures more broadly.” -- Masha Salazkina, author of * In Excess: Sergei Eisenstein’s Mexico *
"Cinema has long held a privileged place in the Cuban public sphere, and this creative study represents a major advance in understanding the island’s cultural politics." -- D. West * Choice *
“
Fidel between the Lines is an examination of cinema and censorship, and it does an excellent job of trying to understand the various paradoxes and complications therein.... This is an energetic, highly readable, well-researched account that makes a valuable contribution to the field.” -- Guy Baron * New West Indian Guide *
“
Fidel between the Lines is backed by a sharp intellectual curiosity, deep observation, and meticulous research. It is the result of an anthropological effort that encompasses a wide-ranging assemblage of elements that contribute to a complete and well-informed analysis of the Cuban film-making reality during the past decades.” -- Hugo García González * Journal of Anthropological Research *
“[
Fidel between the Lines] is an energetic, highly readable, well-researched account that makes a valuable contribution to the field.” -- Guy Baron * New West Indian Guide *
Table of ContentsAcknowledgments vii
Introduction: Criticism from Within 1
1. Symptomologies of the State 27
2. Paranoid Readings and Ambivalent Allegories 60
3. Faith without Fidel 90
4. Staying and Suspicion 127
5. Montage in the Parenthesis 166
Coda: "Cuba está de moda" 209
Notes 231
References 265
Index 281
