Description

Book Synopsis

Fictions of Proximity: Skepticism, Romanticism, and the Wallace Nexus tells the story of a nexus of contemporary novelists around David Foster Wallace who took up the legacy of logical positivism and reworked it between the 1980s and the 2000s in a way that has affinities with romanticism. The book shows how the writers of this ‘Wallace nexus’ use fiction’s complexities to challenge the idea that in human interactions, only complete fusion and transparency may count as instances of knowing. In place of this positivistic ideal of absorption, the book offers the freshly defined concept of ‘proximity,’ a closeness with separateness. It reads key novels of contemporary Anglo-American literature as ‘fictions of proximity,’ i.e., as texts that dramatize, problematize, and enact the movement into this position of proximity. To tell this story, the book draws on unpublished archival materials and understudied connections, advancing new interpretations of four novelists: David Foster Wallace, David Markson, Bret Easton Ellis, and Zadie Smith. Fictions of Proximity provides new readings of these writers, both of their canonical texts and of lesser-known works, and situates them with respect to prominent figures in contemporary post-positivist philosophy.



Table of Contents

Acknowledgments

Introduction

Part I: David Foster Wallace at the End of History

Chapter 1: Varieties of Post-Positivism: Pragmatism and Romanticism

Chapter 2: “The Powerful, Dual-Functioning Part”: Romantic Subjectivity in David Foster Wallace and Mark Costello’s Signifying Rappers

Part II: Skepticism in Contemporary Fiction

Chapter 3: ‘Looking’ in ‘Horror’ or ‘Ecstasy’: Romantic Desire in David Markson’s Wittgenstein’s Mistress

Chapter 4: Brechtian Rhetoric and Bret Easton Ellis’s American Psycho

Part III: Ironically Earnest, Earnestly Ironic: Fiction after Positivism

Chapter 5: Aporia in David Foster Wallace’s Infinite Jest

Chapter 6: “The great unequivocal International Gestures”: Benjaminian Gestus in Zadie Smith’s The Autograph Man

Epilogue: Breathing with Wallace

Bibliography

About the Author

Fictions of Proximity: Skepticism, Romanticism,

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    A Hardback by Tim Personn

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      Publisher: Lexington Books
      Publication Date: 30/10/2023
      ISBN13: 9781666923186, 978-1666923186
      ISBN10: 1666923184

      Description

      Book Synopsis

      Fictions of Proximity: Skepticism, Romanticism, and the Wallace Nexus tells the story of a nexus of contemporary novelists around David Foster Wallace who took up the legacy of logical positivism and reworked it between the 1980s and the 2000s in a way that has affinities with romanticism. The book shows how the writers of this ‘Wallace nexus’ use fiction’s complexities to challenge the idea that in human interactions, only complete fusion and transparency may count as instances of knowing. In place of this positivistic ideal of absorption, the book offers the freshly defined concept of ‘proximity,’ a closeness with separateness. It reads key novels of contemporary Anglo-American literature as ‘fictions of proximity,’ i.e., as texts that dramatize, problematize, and enact the movement into this position of proximity. To tell this story, the book draws on unpublished archival materials and understudied connections, advancing new interpretations of four novelists: David Foster Wallace, David Markson, Bret Easton Ellis, and Zadie Smith. Fictions of Proximity provides new readings of these writers, both of their canonical texts and of lesser-known works, and situates them with respect to prominent figures in contemporary post-positivist philosophy.



      Table of Contents

      Acknowledgments

      Introduction

      Part I: David Foster Wallace at the End of History

      Chapter 1: Varieties of Post-Positivism: Pragmatism and Romanticism

      Chapter 2: “The Powerful, Dual-Functioning Part”: Romantic Subjectivity in David Foster Wallace and Mark Costello’s Signifying Rappers

      Part II: Skepticism in Contemporary Fiction

      Chapter 3: ‘Looking’ in ‘Horror’ or ‘Ecstasy’: Romantic Desire in David Markson’s Wittgenstein’s Mistress

      Chapter 4: Brechtian Rhetoric and Bret Easton Ellis’s American Psycho

      Part III: Ironically Earnest, Earnestly Ironic: Fiction after Positivism

      Chapter 5: Aporia in David Foster Wallace’s Infinite Jest

      Chapter 6: “The great unequivocal International Gestures”: Benjaminian Gestus in Zadie Smith’s The Autograph Man

      Epilogue: Breathing with Wallace

      Bibliography

      About the Author

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