Description

Book Synopsis
This book advocates for the ethically formative labor that fiction accomplishes. As a force of production, the fictional labor of literature and the visual arts shapes the formation of collective meaning in an era marked by the negligence of social, financial, and environmental responsibility. As neoliberalism’s hegemony since the 1980s has intensified through the proliferation of digital technologies in the 21st century, considering works of creative art as an ethically productive force is a necessary complement to political and economic critiques. The book invites readers to rethink how mutations in the production, circulation, and consumption of literary and visual materials are implicated in the commodification of information and attention for private gain. The link can have a positive effect that transforms the social relation from a capitalist ethos that expends life for profit to an alterity-driven ethos that defends life. But remedying the paucity of moral sentiments of social existence requires fictional labor to generate ethical sensibilities, cares, desires, and wills. The book’s close analyses demonstrate the aesthetic and formal aspects of literary and visual art that mediate between social relations to yield a dependence alterity, including the otherness of a precarious present, a menacing future beyond economic mastery, and an environment enmeshed with living beings and things.

Trade Review

Fictional Labor is a work of deep erudition that brings a wide spectrum of theoretical speculation to bear on formally inventive works of visual art and literature… Baek’s reflections on technology, neoliberalism, ethics, politics, and aesthetic form deliver a wealth of smart and ultimately auspicious insights that will encourage readers to imagine new ways of living—and of making art—as we forge ahead into a world unknown.’ Ari J. Blatt, L’Esprit Créateur



Table of Contents
List of Figures
Acknowledgements
Introduction
1. Surplus-word
2. Mask
3. Vector
4. Savage-word
Conclusion
Bibliography
Index

Fictional Labor: Ethics and Cultural Production

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    A Hardback by Jiewon Baek

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      View other formats and editions of Fictional Labor: Ethics and Cultural Production by Jiewon Baek

      Publisher: Liverpool University Press
      Publication Date: 26/07/2022
      ISBN13: 9781802070422, 978-1802070422
      ISBN10: 1802070427
      Also in:
      Cultural studies

      Description

      Book Synopsis
      This book advocates for the ethically formative labor that fiction accomplishes. As a force of production, the fictional labor of literature and the visual arts shapes the formation of collective meaning in an era marked by the negligence of social, financial, and environmental responsibility. As neoliberalism’s hegemony since the 1980s has intensified through the proliferation of digital technologies in the 21st century, considering works of creative art as an ethically productive force is a necessary complement to political and economic critiques. The book invites readers to rethink how mutations in the production, circulation, and consumption of literary and visual materials are implicated in the commodification of information and attention for private gain. The link can have a positive effect that transforms the social relation from a capitalist ethos that expends life for profit to an alterity-driven ethos that defends life. But remedying the paucity of moral sentiments of social existence requires fictional labor to generate ethical sensibilities, cares, desires, and wills. The book’s close analyses demonstrate the aesthetic and formal aspects of literary and visual art that mediate between social relations to yield a dependence alterity, including the otherness of a precarious present, a menacing future beyond economic mastery, and an environment enmeshed with living beings and things.

      Trade Review

      Fictional Labor is a work of deep erudition that brings a wide spectrum of theoretical speculation to bear on formally inventive works of visual art and literature… Baek’s reflections on technology, neoliberalism, ethics, politics, and aesthetic form deliver a wealth of smart and ultimately auspicious insights that will encourage readers to imagine new ways of living—and of making art—as we forge ahead into a world unknown.’ Ari J. Blatt, L’Esprit Créateur



      Table of Contents
      List of Figures
      Acknowledgements
      Introduction
      1. Surplus-word
      2. Mask
      3. Vector
      4. Savage-word
      Conclusion
      Bibliography
      Index

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