Description

Book Synopsis
From sensual pleasures and perils, moments and memories of darkness and light, the poems in Orlando Ricardo Menes’s collection sew together stories of dislocation and loss, of survival and hope, and of a world patched together by a family over five generations of diaspora. This is Menes’s tapestry of the Americas. From Miami to Cuba, Panama to Bolivia and Peru, through the textures, sounds, colors, shapes, and scents of exile and emigration, we find refuge at last in a sense of wholeness and belonging residing in this intensely felt, finely crafted poetry.



Trade Review
"Well versed in the uprooted life of an immigrant, Menes's profound references not only convey local color but also bring the essence of his family history eye level with the reader in these striking verses."—World Literature Today
"The poems in the collection are powerful, yet engaging narratives crafted by a gifted poet and story-teller."—Mary Alexander, Caribbean Writer
"With flowing language, vivid imagery, and brilliant word choices, Menes can tell a heart-wrenching story in four stanzas."—Mary Christy, Big Muddy
“Drenched with the flavor and savor of the Caribbean, Orlando Ricardo Menes’s Fetish is a treat for the mouth and the ear, as well as for the mind. Striking characters abound: Zvi Mendel, ‘retired tobacconist to Havana’s Ashkenazim’; an unnamed female survivor of a prison called ‘Den of the Lioness.’ Anger at injustice often surfaces. The beauty of the region springs up everywhere. But it is sound that powers these poems, a piquant blend of English spiced with Español. . . . These delectable poems beg to be tasted. To be spoken. To be sung.”—Charles Harper Webb, author of Shadow Ball


“Open Orlando Ricardo Menes’s exquisite poetry collection Fetish, and you’ll quickly see a folk sculpture of Eleggua, though I should warn you. In the Cuban Santería religion, this deity has 101 manifestations, or roads, he may take you down. In this way, he is not unlike Menes’s poems, which may lead us, in a matter of pages, from suburban Indiana to Miami to Panamá to Kichwa-speaking villages in the Andes. Although the destinies of these roads offer vastly different insights, if we survive them, there is a sensibility that unifies the whole: Menes does not easily identify with grand ideologies and personal arrogance. Rather, he keeps his eye on those who go largely unrecorded by history: a poor great-uncle alienated from his own family by politics, a daughter with severe ADHD, a papá assiduously mending used furniture, a political prisoner who survives cruelty by caring for the earth’s smallest creatures—lame rat, pregnant mouse, chirping cricket.”—Maurice Kilwein Guevara, author of Poema and Postmortem


“Orlando Ricardo Menes’s Fetish is a rare work of the American Creole Sublime, conjuring visions of his Cuban homeland as a sacred geography of vanquished mestizo dreams, his Florida boyhood a world of transmuting tropical wonder. At once mythic, syncretic, and autobiographical, transported on strains of epiphanic geomancy, Menes’s work subtly presents a new vision of América that Martí, Stevens and Walcott would all embrace. You want to whisper in a fever, ‘Adelante!’”—John Phillip Santos, University Distinguished Scholar in Mestizo Cultural Studies, University of Texas at San Antonio



Table of Contents

Contents

Acknowledgments 000

Part 1. Ars Poetica

Courtyard of Clotheslines, Angel Hill 000

Golgotha 000

Fetish 000

Mambo 000

Maracas of Rain 000

Aubade: The Charcoal Makers 000

Zvi Mendel 000

The Maximum Leader Addresses His Island Nation 000

Spiderman in Havana 000

Den of the Lioness 000

Libros 000

Refrigeradores 000

Elegy for Great-Uncle Julio, Cane Cutter 000

Tía Gladys, Backroom Seamstress 000

Zafra 000

Ars Poetica 000

Part 2. El Cristo de Piedra

Windfall Antiques 000

Horses 000

Lalo, Peddler 000

Television, a Patient Teacher 000

Sal 000

Village of the Water People 000

El Cristo de Piedra 000

Birthing Adrian 000

Tantrums 000

Braille 000

Pyx 000

Adderall 000

St. Joseph River 000

Ashes 000

Mole 000

Part 3. The Gringo Called Ñakak

Soroche 000

The Gringo Called Ñakak 000

Altiplano 000

Panegyric for the Condor 000

The Devil's Miner 000

The Boy from Chimbote 000

Parable 000

Our Lord of Miracles 000

Top 000

Toro 000

Breakfast with Capitalists 000

Juancito's Wake 000

Source Acknowledgments 000

Notes for Poems 000

Glossary 000

Fetish

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    A Paperback / softback by Orlando Ricardo Menes

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      View other formats and editions of Fetish by Orlando Ricardo Menes

      Publisher: University of Nebraska Press
      Publication Date: Publication Date: 01/09/2013
      ISBN13: 9780803264915, 978-0803264915
      ISBN10: 0803264917

      Description

      Book Synopsis
      From sensual pleasures and perils, moments and memories of darkness and light, the poems in Orlando Ricardo Menes’s collection sew together stories of dislocation and loss, of survival and hope, and of a world patched together by a family over five generations of diaspora. This is Menes’s tapestry of the Americas. From Miami to Cuba, Panama to Bolivia and Peru, through the textures, sounds, colors, shapes, and scents of exile and emigration, we find refuge at last in a sense of wholeness and belonging residing in this intensely felt, finely crafted poetry.



      Trade Review
      "Well versed in the uprooted life of an immigrant, Menes's profound references not only convey local color but also bring the essence of his family history eye level with the reader in these striking verses."—World Literature Today
      "The poems in the collection are powerful, yet engaging narratives crafted by a gifted poet and story-teller."—Mary Alexander, Caribbean Writer
      "With flowing language, vivid imagery, and brilliant word choices, Menes can tell a heart-wrenching story in four stanzas."—Mary Christy, Big Muddy
      “Drenched with the flavor and savor of the Caribbean, Orlando Ricardo Menes’s Fetish is a treat for the mouth and the ear, as well as for the mind. Striking characters abound: Zvi Mendel, ‘retired tobacconist to Havana’s Ashkenazim’; an unnamed female survivor of a prison called ‘Den of the Lioness.’ Anger at injustice often surfaces. The beauty of the region springs up everywhere. But it is sound that powers these poems, a piquant blend of English spiced with Español. . . . These delectable poems beg to be tasted. To be spoken. To be sung.”—Charles Harper Webb, author of Shadow Ball


      “Open Orlando Ricardo Menes’s exquisite poetry collection Fetish, and you’ll quickly see a folk sculpture of Eleggua, though I should warn you. In the Cuban Santería religion, this deity has 101 manifestations, or roads, he may take you down. In this way, he is not unlike Menes’s poems, which may lead us, in a matter of pages, from suburban Indiana to Miami to Panamá to Kichwa-speaking villages in the Andes. Although the destinies of these roads offer vastly different insights, if we survive them, there is a sensibility that unifies the whole: Menes does not easily identify with grand ideologies and personal arrogance. Rather, he keeps his eye on those who go largely unrecorded by history: a poor great-uncle alienated from his own family by politics, a daughter with severe ADHD, a papá assiduously mending used furniture, a political prisoner who survives cruelty by caring for the earth’s smallest creatures—lame rat, pregnant mouse, chirping cricket.”—Maurice Kilwein Guevara, author of Poema and Postmortem


      “Orlando Ricardo Menes’s Fetish is a rare work of the American Creole Sublime, conjuring visions of his Cuban homeland as a sacred geography of vanquished mestizo dreams, his Florida boyhood a world of transmuting tropical wonder. At once mythic, syncretic, and autobiographical, transported on strains of epiphanic geomancy, Menes’s work subtly presents a new vision of América that Martí, Stevens and Walcott would all embrace. You want to whisper in a fever, ‘Adelante!’”—John Phillip Santos, University Distinguished Scholar in Mestizo Cultural Studies, University of Texas at San Antonio



      Table of Contents

      Contents

      Acknowledgments 000

      Part 1. Ars Poetica

      Courtyard of Clotheslines, Angel Hill 000

      Golgotha 000

      Fetish 000

      Mambo 000

      Maracas of Rain 000

      Aubade: The Charcoal Makers 000

      Zvi Mendel 000

      The Maximum Leader Addresses His Island Nation 000

      Spiderman in Havana 000

      Den of the Lioness 000

      Libros 000

      Refrigeradores 000

      Elegy for Great-Uncle Julio, Cane Cutter 000

      Tía Gladys, Backroom Seamstress 000

      Zafra 000

      Ars Poetica 000

      Part 2. El Cristo de Piedra

      Windfall Antiques 000

      Horses 000

      Lalo, Peddler 000

      Television, a Patient Teacher 000

      Sal 000

      Village of the Water People 000

      El Cristo de Piedra 000

      Birthing Adrian 000

      Tantrums 000

      Braille 000

      Pyx 000

      Adderall 000

      St. Joseph River 000

      Ashes 000

      Mole 000

      Part 3. The Gringo Called Ñakak

      Soroche 000

      The Gringo Called Ñakak 000

      Altiplano 000

      Panegyric for the Condor 000

      The Devil's Miner 000

      The Boy from Chimbote 000

      Parable 000

      Our Lord of Miracles 000

      Top 000

      Toro 000

      Breakfast with Capitalists 000

      Juancito's Wake 000

      Source Acknowledgments 000

      Notes for Poems 000

      Glossary 000

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