Description
Book SynopsisThis book investigates how identities for West African women are created and recreated through the broad interplay of Nollywood film viewing on social and individual levels. Since many Nollywood films are freely accessible online, the role of online communities repurposes Nollywood films. Female Narratives in Nollywood Melodramas addresses if this is a good or bad promoter of critical consciousness, as many of the films depict the stifling of women. The authors examine nine Nollywood melodramas through Black feminist, cultivation, audience reception, and social identity theories. Readers will gain an understanding of how Nollywood is a product and contributor to evolving processes of globalization. Recommended for scholars of film studies, communication, African studies, and women studies.
Trade ReviewThe authors have provided an in-depth study of Nollywood, depicting rich African cultural and traditional values, exploring the reconstruction of West African women and examining the role of online communities, making it a must-read for Nollywood fans. -- Pius W. Akumbu, University of Buea, Cameroon
Female Narratives in Nollywood Melodramas is a quintessential and compelling interrogation of women’s identity in Nollywood films through the periscopic lenses of culture, tradition, memory, and gender. -- Emmanuel Adedun, Mountain Top University
Female Narratives in Nollywood Melodramas represents a groundbreaking work looking at the intersectionality of gender, popular culture, and social ethics. Aside from a brilliant and critical rendering of the Hollywood melodrama phenomena, the authors provide us with a deeply human look at innovative ways in which women navigate polarities of subjectivity and objectivity, wholeness and suffering, endurance and socio-cultural fatigue on film and in real life. In what is a superb analytical framework, readers will gain entry into a world where Nollywood women's cultures of dissemblance and dissonance serve as emblematic of both particular and universal realities of community, nation, and diaspora. Read this book! -- Zachery R. Williams, The University of Akron
Table of ContentsI. Introduction II. Alternative Frames for Viewing and Thinking about Nollywood Films III. The Women of Nollywood: Suffering and Agency IV. Differential Access to Nollywood Films V. Female Directors and Producers VI. Concluding Thoughts Appendix A: Themes of suffering in the nine selected films Appendix B: Themes of agency in the nine selected films Appendix C: African/African Diasporic Film Festivals Appendix D: African female filmmakers Filmography Bibliography About the Authors
