Description
Book SynopsisAccording to Petrarch, the Father of the Renaissance, Ireland was almost as well known to the Italians as Italy itself. Visiting Ireland from the comfort of their armchairs, his followers thus knew for a fact that the Irish ate their fathers and slept with their mothers, were welcoming and inhospitable, and were the best and the worst of Christians, and that Ireland was home to St Patrick’s Purgatory, where you could visit the otherworld, save your soul and your business, and locate your missing relatives.
This book examines Italian descriptions of Ireland in the context of the Renaissance rediscovery of ancient culture and reinvention of geography and historiography, the fashioning of the self and the other, and travel writing. The author argues that the intellectuals of the time were more interested in ‘truth
for’ than in ‘truth
about’ and that they imagined Ireland differently in different circumstances, populating it with their own fantasies, so that its otherness would pose no threat to their sense of self.
Trade Review«Together with the quality of exposition, which maintains a clear distinction between fact and comment, this copious documentation makes
Ibernia Fabulosa a valuable, usable, and consistently engaging book.»
(Cormac O Cuilleanain, Modern Language Review Vol. 112, Part 2 2017)
Table of ContentsContents: Whose World? The Need not to know – Out of this World? Imagining Ireland with the Ancients – Amazing World? Imagining Ireland with (and without) Gerald of Wales – The Other World: Imagining Ireland in the Shadow of Dante – Between Worlds: Imagining Ireland in the Footsteps of St Patrick – Divided World: Imagining Ireland(s) at the Time of the Reformation – New World: Imagining Ireland in a New World – Mad World: Forever Imagining Ireland.
