Description

The first major monograph on the work of contemporary Belgian artist Fabrice Samyn

Contemporary Belgian artist Fabrice Samyn (b. 1981) works in a wide variety of media, including painting, photography, sculpture, installation, and recently choreography. His art engages with history and the passage of time, raising important questions about representation, idolatry, iconoclasm, and ecology in our contemporary world. In the artist’s own words, “My work attempts to reveal time, or rather natural phenomena of time (erosion for example) as creative.” One of his best-known series, “Sinai” (2010), features photographic images of the necks of Greek sculptures, cropped and lit in such a way that they become abstract landscapes. This book is the first to offer an in-depth exploration of the full scope of Samyn’s oeuvre. Copiously illustrated, the book also includes penetrating essays by prominent European philosophers and art historians.

Distributed for Mercatorfonds


Exhibition Schedule:

Gallerie Sies + Hoek, Düsseldorf
(2020)

Fabrice Samyn: I Am?

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Hardback by Vinciane Despret , Pascal Rousseau

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The first major monograph on the work of contemporary Belgian artist Fabrice Samyn Contemporary Belgian artist Fabrice Samyn (b. 1981)... Read more

    Publisher: Yale University Press
    Publication Date: 22/06/2021
    ISBN13: 9780300250466, 978-0300250466
    ISBN10: 0300250460

    Number of Pages: 224

    Non Fiction , Art & Photography

    Description

    The first major monograph on the work of contemporary Belgian artist Fabrice Samyn

    Contemporary Belgian artist Fabrice Samyn (b. 1981) works in a wide variety of media, including painting, photography, sculpture, installation, and recently choreography. His art engages with history and the passage of time, raising important questions about representation, idolatry, iconoclasm, and ecology in our contemporary world. In the artist’s own words, “My work attempts to reveal time, or rather natural phenomena of time (erosion for example) as creative.” One of his best-known series, “Sinai” (2010), features photographic images of the necks of Greek sculptures, cropped and lit in such a way that they become abstract landscapes. This book is the first to offer an in-depth exploration of the full scope of Samyn’s oeuvre. Copiously illustrated, the book also includes penetrating essays by prominent European philosophers and art historians.

    Distributed for Mercatorfonds


    Exhibition Schedule:

    Gallerie Sies + Hoek, Düsseldorf
    (2020)

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