Description
Book SynopsisBy exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting 'difficult' objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet...
Trade Review “The book takes the study of materials innovation and design outside the prevalent focus on Western technoscience. Its focus on Pacific societies also raises the issue of digital return and, furthermore, digital technologies in the museum and heritage sector more broadly. In this connection, Were pushes beyond debates on authenticity and instead highlights digital technology’s productive potentials.” • Social Anthropology
“…the chapters are well written and informative…this volume brings us back to the persistent relevance of objects and collecting to museums. Although architecture and community building have taken center stage in museum discourse, this volume reminds us of what museums continue to do: collect. The primacy of objects in making places, museums, memories, and history remains central to their endeavor.” • Visual Anthropology Review
“This collection is an interesting concept, composed of telling case studies over a satisfying range of collecting topics... with some consideration of philosophical and theoretical perspectives.” • Linda Young, Deakin University
Table of Contents List of Figures
Extreme Collecting: Dealing with Difficult Objects
Graeme Were
Part I: Dificult Objects
Chapter 1. The Material Culture of Persecution: Collecting for the Holocaust Exhibition at the Imperial War Museum
Suzanne Bardgett
Chapter 2. Lyricism and Offence in Egyptian Archaeology Collections
Stephen Quirke
Chapter 3. Contested Human Remains
Jack Lohman
Chapter 4. Extreme or Commonplace: The Collecting of Unprovenanced Antiquities
Kathryn Walker Tubb
Chapter 5. Unfit for Society? The Case of the Galton Collection at University College London
Natasha McEnroe
Part II: Mass Produced
Chapter 6. Knowing the New
Susan Pearce
Chapter 7. T he Global Scope of Extreme Collecting: Japanese Woodblock Prints on the Internet
Richard Wilk
Chapter 8. A wkward Objects: Collecting, Deploying and Debating Relics
Jan Geisbusch
Chapter 9. Great Expectations and Modest Transactions: Art, Commodity and Collecting
Henrietta Lidchi
Part III: Extreme Matters
Chapter 10. Extremes of Collecting at the Imperial War Museum 1917–2009: Struggles with the Large and the Ephemeral
Paul Cornish
Chapter 11. Plastics – Why Not? A Perspective from the Museum of Design in Plastics
Susan Lambert
Chapter 12. T ime Capsules as Extreme Collecting
Brian Durrans
Chapter 13. Canning Cans – a Brand New Way of Looking at History
Robert Opie in conversation with J.C.H. King
Notes on Contributors
Index
