Description
Book SynopsisMarking a crucial turning point in Caravaggio's life and artistic development, the Crucifixion of Saint Andrew exemplifies the artist's famous tenebristic style, developed during his rise to fame in Rome, and simultaneously signals a new, grittier realism in his work. Inspired both by a Spanish patron and by the urban topography of Naples, a city three times the size of Rome in Caravaggio's day, the Crucifixion of Saint Andrew became a mobile portent of Caravaggio's stylistic revolution when the viceroy brought it with him to Valladolid in 1610. Recounting the complex history of this masterwork and its understudied position in Caravaggio's oeuvre, this book reveals the ways in which the Crucifixion of Saint Andrew functioned first as a devotional aid and subsequently as a harbinger of Caravaggism abroad.
Table of ContentsDirector's Foreword; Acknowledgments; Preface: Why Caravaggio?; Introduction; Part I. Caravaggio in Spanish Naples; Becoming Caravaggio; Martyring Saint Andrew; Caravaggio and the Myth of Naples; From Court to Cult: Viceregal Patronage in Seventeenth-Century Naples; Part II. From Naples to Valladolid; Collecting Caravaggio in Spain; Painting Caravaggio: Technique and Conservation in the Crucifixion of Saint Andrew; Authentic Replicas; Conclusion: Mobility and Stasis in the Art of Caravaggio; Notes; Bibliography; Photo Credits; The Cleveland Museum of Art Board of Trustees
