Description

Book Synopsis

Exploding Fashion examines the impact of innovative pattern-cutting in several key examples of 20th century fashion design. With over 200 illustrations, it ‘explodes’ designs by 6 game-changing fashion designers from the world’s leading fashion houses, and reverse engineers them in order to understand how they work. Written by a curator and professor at Central Saint Martins, London's premier college of art and design, this is the first comprehensive exploration of how a traditional design process can enter into a dialogue with new concepts, illuminating haute couture and prêt-à-porter methods for a visually-driven digital age.



Table of Contents
CONTENTS Introduction The Rationale 8 The Process 12 Central Saint Martins Research Team Members 15 SECTION A: MAKE, UNMAKE, REMAKE Chapter 1: Methods and Making From 2-D to 3-D to 3-D animation 20 Chapter 2: Dress Summaries and Museum Statements International Dress Collections: Museum Statements 68 Victoria and Albert Museum, London - Claire Wilcox Musée des Arts Décoratifs, Paris 70 Myriam Teissier Twentieth-Century Fashion Designs and their Designers: Five Case Studies - Madeleine Vionnet 72 Costume Institute at The Metropolitan Museum of Art, New York 86 Andrew Bolton Charles James 88 Palais Galliera, Musée de la Mode de la Ville de Paris 104 Miren Arzalluz & Véronique Belloir Cristóbal Balenciaga 106 Museum at FIT (Fashion Institute of Technology), New York 120 Valerie Steele Halston 122 Kyoto Costume Institute, Japan 138 Rie Nii Comme des Garçons 140 The Gusset: The Common Denominator 154 Dress Patterns 158

Exploding Fashion: Making, Unmaking, and Remaking

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    A Hardback by Alistair O'Neill

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      Publisher: Lannoo Publishers
      Publication Date: 20/10/2021
      ISBN13: 9789401476058, 978-9401476058
      ISBN10: 9401476055

      Description

      Book Synopsis

      Exploding Fashion examines the impact of innovative pattern-cutting in several key examples of 20th century fashion design. With over 200 illustrations, it ‘explodes’ designs by 6 game-changing fashion designers from the world’s leading fashion houses, and reverse engineers them in order to understand how they work. Written by a curator and professor at Central Saint Martins, London's premier college of art and design, this is the first comprehensive exploration of how a traditional design process can enter into a dialogue with new concepts, illuminating haute couture and prêt-à-porter methods for a visually-driven digital age.



      Table of Contents
      CONTENTS Introduction The Rationale 8 The Process 12 Central Saint Martins Research Team Members 15 SECTION A: MAKE, UNMAKE, REMAKE Chapter 1: Methods and Making From 2-D to 3-D to 3-D animation 20 Chapter 2: Dress Summaries and Museum Statements International Dress Collections: Museum Statements 68 Victoria and Albert Museum, London - Claire Wilcox Musée des Arts Décoratifs, Paris 70 Myriam Teissier Twentieth-Century Fashion Designs and their Designers: Five Case Studies - Madeleine Vionnet 72 Costume Institute at The Metropolitan Museum of Art, New York 86 Andrew Bolton Charles James 88 Palais Galliera, Musée de la Mode de la Ville de Paris 104 Miren Arzalluz & Véronique Belloir Cristóbal Balenciaga 106 Museum at FIT (Fashion Institute of Technology), New York 120 Valerie Steele Halston 122 Kyoto Costume Institute, Japan 138 Rie Nii Comme des Garçons 140 The Gusset: The Common Denominator 154 Dress Patterns 158

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