Description
Book SynopsisExplanations in Iconography: Ancient American Indian Art, Symbol, and Meaning is a significant contribution to archaeology and to- iconography studies – a discipline that has gradually been coming into its own. Iconography is a rich and fascinating field when applied to the complex and enigmatic imagery on many ancient Pre-Columbian artifacts. When viewed through the lens of early ethnographic records and American Indian oral traditions – as well as information from knowledgeable American Indian elders – it opens a world of understanding and clarity until recently unknown in the field of anthropological archaeology. It brings us closer to the people who created the artifacts and offers a glimpse into the symbols and beliefs that were important to them.
Chapters cover a wide variety of artifacts and imagery from several ancient American Indian cultures, drawn from a variety of regions, mainly in the Midwest and Eastern United States. These artifacts include petroglyphs and pictographs (rock art), mounds, engraved shell cups and gorgets, burial architecture and grave furniture, pottery, copper repoussé, and other media. Ancient graphics, engravings, mounds, and all were created to deliver a message to the viewer – many of which are finally coming to light. This volume encourages the reader to look more deeply into the meaning behind ancient imagery and arts, and give the past a chance to be known.
Table of ContentsContributors Preface 1. I Thoughts and ideas on how iconography works – a basic primer on how to do iconography
Carol Diaz-Granados 2. SON OF THE SUN: Iconography in rock art and artifacts that reveals important associations between symbolism associated with Dhegiha religion, celestial bodies and Western Mississippian Ideology
James R. Duncan and Carol Diaz-Granados Vestiges of the Birdman at Etowah Vestiges of the First Man Lineage at Etowah (Georgia)
Adam King 4. The House Between Life and Death: Interpretations About the Organization of Mound 3 at the Lake Jackson Site J. Grant Stauffer 5. Effigy mounds and rock art of midcontinental North America: Shared iconography, shared stories
Bradley T. Lepper, Robert F. Boszhardt, James R. Duncan, and Carol Diaz-Granados (reprint from North American Archaeologist, with permission) 6. “Paired Figures Confronting a Forked Pole:” So What’s Up with the Forked Pole?
George Sabo III and Alex W. Barker 7. The Hero Twins in the Lower Mississippi Valley
David H. Dye 8. Arguments for the Age of Serpent Mound
Bradley T. Lepper, James R. Duncan, Carol Diaz-Granados, Tod Frolking (reprint from Cambridge Archaeological Journal, with permission) 9. Contextualizing Mississippian Statuary from the Mississippi/Ohio River Confluence
Steven L. Boles 10. The Great Importance of the Great Serpent
James R. Duncan Index
