Description

Book Synopsis
Europe and Love in Cinema explores the relationship between love and Europeanness in a wide range of films from the 1920s to the present. A critical look at the manner in which love—in its broadest sense—is portrayed in cinema from across Europe and the United States, this volume exposes constructed notions of "Europeanness" that both set Europe apart and define some parts of it as more "European" than others. Through the international distribution process, these films in turn engage with ideas of Europe from both outside and within, while some, treated extensively in this volume, even offer alternative models of love. A bracing collection of essays from top film scholars, Europe and Love in Cinema demonstrates the centrality of desire to film narrative and explores multiple models of love within Europe's frontiers.

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'Rewarding and invigorating' – Necsus, Fiona Handyside



Table of Contents
Introduction Part One: Disciplinary and Historical Contexts

Chapter 1: Cinema and Academia: Of Objects of Love and Objects of Study– Thomas Elsaesser Chapter 2: For Love or Money: Transnational Developments in European Cinema in the 1920s – Andrew Higson Chapter 3: Love beyond the Nation: Cosmopolitanism and Transational Desire in Cinema – Tim Bergfelder Part Two: Impossible Loves

Chapter 4: Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929) – Laura Mulvey Chapter 5: La dame de Malacca or Eurocentrism’s dream of omnipotence – Luisa Passerini Chapter 6: Love and colonial ambivalence in Spanish Africanist cinema of the early Franco dictatorship – Jo Labanyi Part Three: Movements in Time-Space

Chapter 7: The love-lives of others: reconstructing German national identity in postwar and post-unification cinema – Seán Allan Chapter 8: Exiled memories: transnational memoryscapes in recent French cinema – Liliana Ellena Chapter 9: Migration, attachment, belonging: filming the Mediterranean in Spain and Italy – Enrica Capussotti Part Four: Cultural Reinscriptions

Chapter 10: Luis Buñuel and explosive love in southern Europe – Luisa Accati Chapter 11: Love and belonging in Western – Lucy Mazdon Chapter 12: A conflicted passion: European film – Karen Diehl

Europe and Love in Cinema

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    A Paperback / softback by Luisa Passerini, Jo Labanyi, Karen Diehl

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      Publisher: Intellect Books
      Publication Date: 15/04/2012
      ISBN13: 9781841503790, 978-1841503790
      ISBN10: 1841503797

      Description

      Book Synopsis
      Europe and Love in Cinema explores the relationship between love and Europeanness in a wide range of films from the 1920s to the present. A critical look at the manner in which love—in its broadest sense—is portrayed in cinema from across Europe and the United States, this volume exposes constructed notions of "Europeanness" that both set Europe apart and define some parts of it as more "European" than others. Through the international distribution process, these films in turn engage with ideas of Europe from both outside and within, while some, treated extensively in this volume, even offer alternative models of love. A bracing collection of essays from top film scholars, Europe and Love in Cinema demonstrates the centrality of desire to film narrative and explores multiple models of love within Europe's frontiers.

      Trade Review

      'Rewarding and invigorating' – Necsus, Fiona Handyside



      Table of Contents
      Introduction Part One: Disciplinary and Historical Contexts

      Chapter 1: Cinema and Academia: Of Objects of Love and Objects of Study– Thomas Elsaesser Chapter 2: For Love or Money: Transnational Developments in European Cinema in the 1920s – Andrew Higson Chapter 3: Love beyond the Nation: Cosmopolitanism and Transational Desire in Cinema – Tim Bergfelder Part Two: Impossible Loves

      Chapter 4: Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929) – Laura Mulvey Chapter 5: La dame de Malacca or Eurocentrism’s dream of omnipotence – Luisa Passerini Chapter 6: Love and colonial ambivalence in Spanish Africanist cinema of the early Franco dictatorship – Jo Labanyi Part Three: Movements in Time-Space

      Chapter 7: The love-lives of others: reconstructing German national identity in postwar and post-unification cinema – Seán Allan Chapter 8: Exiled memories: transnational memoryscapes in recent French cinema – Liliana Ellena Chapter 9: Migration, attachment, belonging: filming the Mediterranean in Spain and Italy – Enrica Capussotti Part Four: Cultural Reinscriptions

      Chapter 10: Luis Buñuel and explosive love in southern Europe – Luisa Accati Chapter 11: Love and belonging in Western – Lucy Mazdon Chapter 12: A conflicted passion: European film – Karen Diehl

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