Description

Book Synopsis

Providing a solid media-philosophical groundwork, the book contributes to the theory of alterity in Performance Philosophy, while stimulating and inspiring future inquiries where studies in media, art, and literature intersect with philosophy. It collects a selective as well as productive diversity of philosophical, literary, and artistic figures of thought, attaining an exacting framework as a result of a clearly elaborated ethics of alterity, innovatively opened up by way of an aisthetics of existence: Touching upon the Aristotelian concept of aisthesis, the material, perceptual and sensory dimensions of everyday bodily existence are highlighted to move beyond what aesthetics in Modern Philosophy just specializes in, namely art and the beautiful. The notion of existence is therefore borrowed from Maurice Merleau-Ponty, who understands it as something concrete and richly interrelated, so as to avoid the dualisms both of psychological processes of consciousness and of physiological mechanisms. It is thus made explicit such that the unity of body and soul is not any arbitrarily arranged connection between “subject” and “object” but, rather, that it is enacted at every instant in the movement of existence. Imaginatively then, the book puts into writing how alterity not only can be treated theoretically but can be also made accessible through writing as well as rendered relatable through reading. That is why it deals with exemplary interpersonal encounters in the lifeworld, in the arts, and in the media, which are initially thematized as intercorporeal experiences, so as to enable an approach for an ethics of alterity by way of, in particular, sites located within a phenomenology of perception oriented towards the lived body.



Table of Contents

Acknowledgements

Introduction

Chapter One: An Opening In the Openness

Chapter Two: Being Visible, Rendering Visible, and Being Invisible

Chapter Three: Prosthethics

Chapter Four: Face, Mask, and Visage

Chapter Five: Responsivity of the Lived Body

Chapter Six: Moments of the Ethical

Chapter Seven: Pathology of the Lived Body

Chapter Eight: Aesthetics of L’écriture Féminine

Chapter Nine: The Event of Hospitality

Chapter Ten: Vita Communis

Chapter Eleven: Ethics of Ethics

Notes

Bibliography

Index

About the Author

Ethics of Alterity: Aisthetics of Existence

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    A Hardback by Jörg Sternagel, John R. J. Eyck, Tony McCaffrey

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      Publisher: Rowman & Littlefield
      Publication Date: 17/04/2023
      ISBN13: 9781538178409, 978-1538178409
      ISBN10: 1538178400

      Description

      Book Synopsis

      Providing a solid media-philosophical groundwork, the book contributes to the theory of alterity in Performance Philosophy, while stimulating and inspiring future inquiries where studies in media, art, and literature intersect with philosophy. It collects a selective as well as productive diversity of philosophical, literary, and artistic figures of thought, attaining an exacting framework as a result of a clearly elaborated ethics of alterity, innovatively opened up by way of an aisthetics of existence: Touching upon the Aristotelian concept of aisthesis, the material, perceptual and sensory dimensions of everyday bodily existence are highlighted to move beyond what aesthetics in Modern Philosophy just specializes in, namely art and the beautiful. The notion of existence is therefore borrowed from Maurice Merleau-Ponty, who understands it as something concrete and richly interrelated, so as to avoid the dualisms both of psychological processes of consciousness and of physiological mechanisms. It is thus made explicit such that the unity of body and soul is not any arbitrarily arranged connection between “subject” and “object” but, rather, that it is enacted at every instant in the movement of existence. Imaginatively then, the book puts into writing how alterity not only can be treated theoretically but can be also made accessible through writing as well as rendered relatable through reading. That is why it deals with exemplary interpersonal encounters in the lifeworld, in the arts, and in the media, which are initially thematized as intercorporeal experiences, so as to enable an approach for an ethics of alterity by way of, in particular, sites located within a phenomenology of perception oriented towards the lived body.



      Table of Contents

      Acknowledgements

      Introduction

      Chapter One: An Opening In the Openness

      Chapter Two: Being Visible, Rendering Visible, and Being Invisible

      Chapter Three: Prosthethics

      Chapter Four: Face, Mask, and Visage

      Chapter Five: Responsivity of the Lived Body

      Chapter Six: Moments of the Ethical

      Chapter Seven: Pathology of the Lived Body

      Chapter Eight: Aesthetics of L’écriture Féminine

      Chapter Nine: The Event of Hospitality

      Chapter Ten: Vita Communis

      Chapter Eleven: Ethics of Ethics

      Notes

      Bibliography

      Index

      About the Author

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