Description

Korero Press''s rich tradition of showcasing world-renowned graphic art will soon include the infamous purveyors of a unique brand of punk rock. Estrus: Shovelin'' The Shit Since ''87 is the complete, as-yet-untold, story of US garage rock powerhouse Estrus Records, which for nearly two decades churned out hundreds of releases from some of the biggest garage, trash, surf, and punk bands worldwide, among them The Makers, The Mummies, Man or Astroman?, and label head honcho Dave Crider''s drunk-punk quartet The Mono Men. Shovelin'' charts the label''s highs and lows - from its highly successful hosting of the annual Garage Shock, arguably the greatest series of garage rock ''festivals'', to the devastating loss of its warehouse in a fire that virtually wiped out its mailorder stock, as well as master tapes and precious personal possessions. Estrus is one of the few record labels whose cover art and other graphics matches the brilliance of its music, thanks to the contributions of US tras

Estrus Shovelin the Shit Since 87

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Paperback by Chris Alpert Coyle

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Korero Press''s rich tradition of showcasing world-renowned graphic art will soon include the infamous purveyors of a unique brand of... Read more

    Publisher: Korero Press
    Publication Date: 10/17/2024
    ISBN13: 9781912740369, 978-1912740369
    ISBN10: 1912740362

    Non Fiction , Entertainment

    Description

    Korero Press''s rich tradition of showcasing world-renowned graphic art will soon include the infamous purveyors of a unique brand of punk rock. Estrus: Shovelin'' The Shit Since ''87 is the complete, as-yet-untold, story of US garage rock powerhouse Estrus Records, which for nearly two decades churned out hundreds of releases from some of the biggest garage, trash, surf, and punk bands worldwide, among them The Makers, The Mummies, Man or Astroman?, and label head honcho Dave Crider''s drunk-punk quartet The Mono Men. Shovelin'' charts the label''s highs and lows - from its highly successful hosting of the annual Garage Shock, arguably the greatest series of garage rock ''festivals'', to the devastating loss of its warehouse in a fire that virtually wiped out its mailorder stock, as well as master tapes and precious personal possessions. Estrus is one of the few record labels whose cover art and other graphics matches the brilliance of its music, thanks to the contributions of US tras

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