Description
Book SynopsisA cogent and provocative argument about the art of film, Essential Cinema is a fiercely independent reference book of must-see movies for film lovers everywhere.
Trade ReviewA virtuoso collection by one of the finest film critics currently active... His passions are unusually diverse... There's nothing here that won't enrich the reader in some way. If you have seen the film already, you will see it better. If you haven't seen it, you will want to. The Times of London 2004 Rosenbaum's passionate, thoughtful, and richly informed advocacy of the films he cares about earns this book a place on any cinephile's shelf... Rosenbaum, an enormously erudite and deeply reflective viewer unbeholden to academic norms and taboos, is ideally positioned to propose a canon of great works... An essential guide. Boston Globe 2004 Accessible without being dumbed down... Filled with perceptive insights and fascinating juxtapositions... A closing list of 1,000 favorite films is sure to spark debate among cineastes while offering a long checklist of films to watch. Publishers Weekly Every essay demonstrates Rosenbaum's fervent dedication to the cinema and, more important, that he has the knowledge and insight to support his impassioned opinions. Booklist Jonathan Rosenbaum is one of the most invested voices in writing about movies. When there's a subject he's spent decades thinking on, he's nonpareil. Newcity 2004 Essential Cinema... is a chance to enjoy a bunch of reviews from the best long form critic on the planet. Memphis Flyer 2004 Rosenbaum is one of those rare film critics who isn't too cool to tell us when a film gives him excitement, pleasure, and hope... Sometimes Rosenbaum becomes so strident about 'the lies' that Hollywood films and their publicists feed us that you want to whack him on the head with a copy of Entertainment Weekly. But, we need to hear about film lies from someone. And besides, there's no such thing as Jonathan Rosenbaum lite. Jewish Herald-Voice 2004 [Rosenblaum's] canon is not exclusively Western, goes beyond purely aesthetic considerations, is a process of selection rather than reportage, and sees cultural criticism as valid. Reference and Research Book News This is a road map for anyone who cares about discovering new cinematic terrain. Choice 2004 Rosenbaum proves he is an essential critic, one we mustn't fail to read. Senses of Cinema 2005 Important book. -- Steven Peacock Film Studies 2005 His observations on film composition are astute and thought-provoking... Essential Cinema is essential reading for the movie buff. -- Rebecca Oppenheimer Howard County Times 2008
Table of ContentsAcknowledgments
Introduction
I. Classics
Fables of the Reconstruction: The Four-Hour Greed
Fascinating Rhythms: M
The Color of Paradise: Jour de fête
Backyard Ethics: Hitchcock's Rear Window
Songs in the Key of Everyday Life: The Umbrellas of Cherbourg
A Tale of the Wind: Joris Ivens's Last Testament
Kira Muratova's Home Truths: The Asthenic Syndrome
The Importance of Being Sarcastic: Sátántangó
Blush
The Ceremony
Thieves
True Grit: Rosetta
II. Special Problems
Malick's Progress
Improvisations and Interactions in Altmanville, with an Afterword: Nashville
Mixed Emotions: Breaking the Waves
Fast, Cheap & Out of Control
The Sweet Cheat: Time Regained
James Benning's Four Corners
Overrated Solutions: L'humanité
The Sound of German: Straub-Huillet's The Death of Empedocles
Beyond the Clouds: Return to Beauty
Reality and History as the Apotheosis of Southern Sleaze: Phil Karlson's The Phenix City Story
Is Ozu Slow?
The Human Tough: Decalogue and Fargo
III. Other Canons, Other Canonizers
Lfie Intimidates Art: Irma Vep
Stanley Kwan's Actress: Writing History in Quicksand
Critical Distance: Godard's Contempt
Remember Amnesia? (Guy Maddin's Archangel), with an Afterword: Ten Years Later (Please Watch Carefully: The Heart of the World)
Ragged but Right: Rivette's Up Down Fragile
Critic with a Camera: Marker on Tarkovsky
Riddles of a Spinx: From the Journals of Jean Seberg
International Harvest: National Film Histories on Video
International Sampler: Ghost Dog: The Way of the Samurai
Not the Same Old Song and Dance: The Young Girls of Rochefort
Flaming Creatures and Scotch Tape
Ruiz Hopping and Buried Treasures: Twelve Selected Global Sites
IV. Disputable Contenders
Back in Style: Bertolucci's Besieged
The Young One: Buñuel's Neglected Masterpiece
In Dreams Begin Responsibilities: Kubrick's Eyes Wide Shut
The Best of Both Worlds: A.I. Artificial Intelligence
Under the Chador: The Day I Became a Woman
Chains of Ignorance: Charles Burnett's Nightjohn
Good Vibrations: Waking Life
Hell on Wheels: Taxi Driver
Meat, John, Dough: Pretty Woman
Tashlinesque
Weird and Wonderful: Takeshi Kitano's Kikujiro
Corpus Callosum
V. Filmmakers
Mann of the West
Otto Preminger
Nicholas Ray
Exiles in Modernity: Films by Edward Yang
Hou Hsiao-hsien: Becoming Taiwanese
The Countercultural Histories of Rudy Wurlitzer
Sam Fuller: The Words of an Innocent Warrior
The Mysterious Elaine May: Hiding in Plain Sight
Visionary Agitprop: I Am Cuba
The Battle over Orson Welles
License to Feel: Distant Voices, Still Lives and The Neon Bible
Death and Life: Landscapes of the Soul—The Cinema of AlexanderDovzhenko
Appendix: 1,000 Favorites (A Personal Canon)
Index
