Description
Book SynopsisEscape, Escapism, Escapology: American Novels of the Early Twenty-First Century identifies and explores what has emerged as perhaps the central theme of 21st-century American fiction: the desire to escape
from the commodified present, from directionless history, from moral death
at a time of inescapable globalization. The driving question is how to find an alternative to the world within the world, at a time when utopian and messianic ideals have lost their power to compel belief. John Limon traces the American answer to that question in the writings of some of the most important authors of the last two decades
Chabon, Diaz, Foer, Eggers, Donoghue, Groff, Ward, Saunders, and Whitehead, among others
and finds that it always involves the faux utopian freedom and pseudo-messianic salvation of childhood.When contemporary novelists feature actual historical escape, pervasively from slavery or Nazism, it appears in their novels as escape envy or escape nostalgi
Trade ReviewIf you haven’t yet encountered John Limon’s work, you have some exhilarating surprises ahead: it’s witty, keenly idiosyncratic, beautifully adroit at drawing unexpected connections, and spectacularly attuned to the evocative possibilities of both paradox and pathos.
Escape, Escapism, Escapology: American Novels of the Early Twenty-First Century is a savvy examination of crucial obsessions in some of our most ambitious and canonical contemporary fictions, helping us through the problem of conceiving not only what we’re escaping
from but also what we’re escaping
to. The result is an argument that will compel both the ornithologists
and the birds: one that our Michael Chabons will find as illuminating as our Stanley Cavells. * Jim Shepard, author of The Book of Aron *
Limon's bleakly funny and effortlessly learned study examines novels for which this, the world now before us, is ‘as good as it gets.’ That equivocal and confounding prospect, it turns out, haunts contemporary fiction in previously unimaginable ways. This is literary criticism at its very best. * Michael Szalay, Professor of English, Film, and Media, University of California, Irvine, USA *
John Limon’s
Escape, Escapism, Escapology will stand as a landmark study of the early twenty-first century Anglophone novel. Its elaboration of escapism offers a brilliantly original and suggestive framework for a widescale reconsideration of the force and interest of contemporary fiction. I can think of very few recent works of criticism that can match its interpretive verve and its contagious curiosity. It is thrilling to read such an intellectually forceful engagement with aesthetic culture of the present moment. * Deak Nabers, Associate Professor of English, Brown University, USA *
Table of ContentsIntroduction
Part I: Escape, Escapism, Escapology 1. Notes from Neverland 2. I Flit, I Float, I Fleetly Flee, I Fly [on
The Sound of Music]
Part II: Family Likenesses 3. The Escapist [on Michael Chabon] 4. Mellon [on Junot Diaz] 5. Bath and Bathos [on Dave Eggers and Jonathan Safran Foer] 6. The Beauty! The Horror! [on Emma Donoghue] 7. Et in Nobis Arcadia [on Lauren Groff] 8. The Ethics of Immortality [on Colson Whitehead] 9. The Songs of Murdered Souls [On Jesmyn Ward and George Saunders]
Part III: Foreign Correspondents 10. Choice and the Chosen [on David Grossman] 11. Categorical Denial [on Arundhati Roy]
Part IV: Prequel 12. The Tunnel Out [on William H. Gass]
Acknowledgments References Index
