Description
Book SynopsisThe first major English-language monograph on Icelandic Pop artist Erró establishes his primacy among today’s significant figurative artists. Erró, Iceland’s most prominent painter, receives long overdue critical attention for his contributions to international Pop, late Surrealism, and contemporary figurative painting in this sumptuous monograph. Since introducing exclusively source-image-based painted collage to the European Pop movement in 1959, Erró has produced an influential body of work mining cartoons and art history on canvases marked by political satire and his own cheerfully dystopian observations of human nature.
Prescient and timely, Erró’s paintings are marked by a voracious consumption of imagery synthesizing a hallucinatory vision of contemporary visual culture. Often compared to Andy Warhol, James Rosenquist, and Roy Lichtenstein, Erró’s multifigure narratives, refusal to commit to a singular style, and obse
