Description

Book Synopsis

Drawing out the particularities of working in twos, with a focus on collaborative performance making, this book considers the duet as a particular configuration in which to think, the duo a microcosm of humankind, and presents everyday entanglement of form and practice seen through the lens of the smallest multiple unit.

This book explores the practical, philosophical and aesthetic implications of performers working in pairs. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. The book presents an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair.

During this ten-year period, Christopher set out to create a series of duets by working with one other artist. The 25 pieces in the collection includes reflections from an international group of collaborators, artists, linguists, physicists, theologians, philosophers and performance scholars. Many of them deal with the question of artistic collaboration and entanglement, contemplating the significance of those terms both on an interpersonal and global level.

This book provides a fascinating insight into the creative working process of a particular artist, whilst providing a blueprint for how collaboration might take place. There are many passages that might provide inspiration for other artists and overall the book makes a moving and heartfelt plea for interpersonal open-ness and mutual investment.

Primary readership will be among international theatre-makers, artists, performance and art scholars, philosophers, teachers, directors, actors, dancers, performance artists and those interested in creative and personal writing about performance, art and art-making. It will be of particular relevance to those with an interest in Karen Christopher, or in the other contributors.



Trade Review

'Entanglements of Two works, like much performance work, by slow and considered associative thinking. Back and forth ideas go, page and eye, words and reader, meaning and mind, reflecting upon ten years of duet performances whilst also – as the back cover puts it – ‘exploring the practical, philosophical, and aesthetic implications of working in pairs and offer[ing] wider reflections on the duet as a concept in artistic and social life’. [...] So far I think this book is a call to action, a learning tool.'

-- Rupert Loydell, Tears in the Fence

‘This book provides a fascinating insight into the creative working process of a particular artist, whilst providing a blueprint for how collaboration might take place. There are many passages which might provide inspiration for
other artists and overall the book makes a moving and heartfelt plea for interpersonal open-ness and mutual investment.’

-- Dr Sarah Gorman, Honorary Research Fellow, University of Roehampton

Table of Contents

[1]

Opening gambit

Karen Christopher


[2]

Foreword

Season Butler


[3]

Haranczak/Navarre Performance Projects

Duet collaborations, 2010-21


[4]

Introductory fragment #1: the two of you

Karen Christopher


[5]

Between Two Somethings

J. R. Carpenter


[6]

Duet Walk

Karen Christopher & Mary Paterson


[7]

Resonance of Two

Karen Christopher


[8]

Six Practices of Learning Together in Havruta

Orit Kent


[9]

Introductory fragment #2: heart and lungs

Karen Christopher


[10]

Consider This (Control Signal)

Mary Paterson


[11]

Staying with the tremble

Eirini Kartsaki


[12]

What never stops?

Joe Kelleher


[13]

Invisible partners remain themselves inside

Litó Walkey

[14]

The Promise of More to Come (So Below)

Mary Paterson


[15]

On creating a climate of attention: the composition of our work

Karen Christopher & Sophie Grodin


[16]

Not so much balanced as balancing (miles & miles)

Mary Paterson


[17]

The collaborative artistic working process of Control Signal:
A drama-linguistic exploration of the shifting of roles

Andrea Milde


[18]

Introductory fragment #3: tangled

Karen Christopher


[19]

Imagining Seven Falls

Mary Paterson


[20]

Introductory fragment #4: a lot of rope

Karen Christopher


[21]

Always On Uneven Ground

Rajni Shah

[22]

TwoFold: Questions

Mary Paterson


[23]

A Physics Duet

David Berman

[24]

Conclusion: I have been thinking of you this whole time

Mary Paterson


[25]

Diffractions: record of a passage

David Williams


[26]

Contributors’ biographies

[27]

Acknowledgments

Entanglements of Two: A Series of Duets

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    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Paperback / softback by Mary Paterson, Karen Christopher

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      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Entanglements of Two: A Series of Duets by Mary Paterson

      Publisher: Intellect Books
      Publication Date: 14/12/2021
      ISBN13: 9781789385045, 978-1789385045
      ISBN10: 1789385040

      Description

      Book Synopsis

      Drawing out the particularities of working in twos, with a focus on collaborative performance making, this book considers the duet as a particular configuration in which to think, the duo a microcosm of humankind, and presents everyday entanglement of form and practice seen through the lens of the smallest multiple unit.

      This book explores the practical, philosophical and aesthetic implications of performers working in pairs. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. The book presents an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair.

      During this ten-year period, Christopher set out to create a series of duets by working with one other artist. The 25 pieces in the collection includes reflections from an international group of collaborators, artists, linguists, physicists, theologians, philosophers and performance scholars. Many of them deal with the question of artistic collaboration and entanglement, contemplating the significance of those terms both on an interpersonal and global level.

      This book provides a fascinating insight into the creative working process of a particular artist, whilst providing a blueprint for how collaboration might take place. There are many passages that might provide inspiration for other artists and overall the book makes a moving and heartfelt plea for interpersonal open-ness and mutual investment.

      Primary readership will be among international theatre-makers, artists, performance and art scholars, philosophers, teachers, directors, actors, dancers, performance artists and those interested in creative and personal writing about performance, art and art-making. It will be of particular relevance to those with an interest in Karen Christopher, or in the other contributors.



      Trade Review

      'Entanglements of Two works, like much performance work, by slow and considered associative thinking. Back and forth ideas go, page and eye, words and reader, meaning and mind, reflecting upon ten years of duet performances whilst also – as the back cover puts it – ‘exploring the practical, philosophical, and aesthetic implications of working in pairs and offer[ing] wider reflections on the duet as a concept in artistic and social life’. [...] So far I think this book is a call to action, a learning tool.'

      -- Rupert Loydell, Tears in the Fence

      ‘This book provides a fascinating insight into the creative working process of a particular artist, whilst providing a blueprint for how collaboration might take place. There are many passages which might provide inspiration for
      other artists and overall the book makes a moving and heartfelt plea for interpersonal open-ness and mutual investment.’

      -- Dr Sarah Gorman, Honorary Research Fellow, University of Roehampton

      Table of Contents

      [1]

      Opening gambit

      Karen Christopher


      [2]

      Foreword

      Season Butler


      [3]

      Haranczak/Navarre Performance Projects

      Duet collaborations, 2010-21


      [4]

      Introductory fragment #1: the two of you

      Karen Christopher


      [5]

      Between Two Somethings

      J. R. Carpenter


      [6]

      Duet Walk

      Karen Christopher & Mary Paterson


      [7]

      Resonance of Two

      Karen Christopher


      [8]

      Six Practices of Learning Together in Havruta

      Orit Kent


      [9]

      Introductory fragment #2: heart and lungs

      Karen Christopher


      [10]

      Consider This (Control Signal)

      Mary Paterson


      [11]

      Staying with the tremble

      Eirini Kartsaki


      [12]

      What never stops?

      Joe Kelleher


      [13]

      Invisible partners remain themselves inside

      Litó Walkey

      [14]

      The Promise of More to Come (So Below)

      Mary Paterson


      [15]

      On creating a climate of attention: the composition of our work

      Karen Christopher & Sophie Grodin


      [16]

      Not so much balanced as balancing (miles & miles)

      Mary Paterson


      [17]

      The collaborative artistic working process of Control Signal:
      A drama-linguistic exploration of the shifting of roles

      Andrea Milde


      [18]

      Introductory fragment #3: tangled

      Karen Christopher


      [19]

      Imagining Seven Falls

      Mary Paterson


      [20]

      Introductory fragment #4: a lot of rope

      Karen Christopher


      [21]

      Always On Uneven Ground

      Rajni Shah

      [22]

      TwoFold: Questions

      Mary Paterson


      [23]

      A Physics Duet

      David Berman

      [24]

      Conclusion: I have been thinking of you this whole time

      Mary Paterson


      [25]

      Diffractions: record of a passage

      David Williams


      [26]

      Contributors’ biographies

      [27]

      Acknowledgments

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