Description

Book Synopsis

Entangled Performance Histories is the first book-length study that applies the concept of entangled histories as a new paradigm in the field of theater and performance historiography.

Entangled histories denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the worldspanning Africa, the Arab-speaking world, Asia, the Americas and Europethe book's contributors systematically expand, exemplify and examine the concept of entangled histories, thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geograph

Table of Contents

List of Figures

List of Contributors

Acknowledgments

Introduction: Entangled Performance Histories: New Approaches to Theater Historiography

PART I: Methodological Reflections

1 Interweaving Stories, Altering Discourses

2 Writing Entangled Theater/Performance Histories in the Arab World

PART II: Hidden Histories—Forgetting and Remembering

3 William Kentridge’s The Head & The Load: Theatrical Collage and the Color of Memory

4 Hijikata Tatsumi at the Osaka World Exposition’s Pepsi Pavilion, 1970: Multiple Historiographies of a Lost Performance

PART III: Entanglements between Drama, Theater and Colonial Historiographies

5 Disentangling Colonial Archives: The Combustible Affair of Ensuring/Insuring Theater Safety in Colonial Singapore

6 The Thorny Entanglements of Theater and Colonial Historiography in the Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff ’s Play Jan Pieterszoon Coen (1931)

PART IV: Emergence and Transformation of Genres

7 Reversibility as Historiographical Method: Japanese Theater and Its Doubles

8 Plumbing the Past to Project into the Future: The Entangled Trajectories of Flamenco’s Twenty-First-Century Avant-Garde

PART V: National Theater Histories—Entanglements and Disentanglements

9 The Interwoven Performance Culture of Algeria

10 Writing History as Disentanglement: Toward a Historiography of Modern Greek Theater

Coda: The Whirligig of Tech: Theater as Media Archaeology

Index

Entangled Performance Histories

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    £34.99

    Includes FREE delivery

    Order before 4pm today for delivery by Thu 25 Jun 2026.

    A Paperback by Erika Fischer-Lichte, Małgorzata Sugiera, Torsten Jost

    15 in stock


      View other formats and editions of Entangled Performance Histories by Erika Fischer-Lichte

      Publisher: Taylor & Francis Ltd
      Publication Date: 12/30/2022 12:00:00 AM
      ISBN13: 9781032405131, 978-1032405131
      ISBN10: 1032405139

      Description

      Book Synopsis

      Entangled Performance Histories is the first book-length study that applies the concept of entangled histories as a new paradigm in the field of theater and performance historiography.

      Entangled histories denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the worldspanning Africa, the Arab-speaking world, Asia, the Americas and Europethe book's contributors systematically expand, exemplify and examine the concept of entangled histories, thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geograph

      Table of Contents

      List of Figures

      List of Contributors

      Acknowledgments

      Introduction: Entangled Performance Histories: New Approaches to Theater Historiography

      PART I: Methodological Reflections

      1 Interweaving Stories, Altering Discourses

      2 Writing Entangled Theater/Performance Histories in the Arab World

      PART II: Hidden Histories—Forgetting and Remembering

      3 William Kentridge’s The Head & The Load: Theatrical Collage and the Color of Memory

      4 Hijikata Tatsumi at the Osaka World Exposition’s Pepsi Pavilion, 1970: Multiple Historiographies of a Lost Performance

      PART III: Entanglements between Drama, Theater and Colonial Historiographies

      5 Disentangling Colonial Archives: The Combustible Affair of Ensuring/Insuring Theater Safety in Colonial Singapore

      6 The Thorny Entanglements of Theater and Colonial Historiography in the Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff ’s Play Jan Pieterszoon Coen (1931)

      PART IV: Emergence and Transformation of Genres

      7 Reversibility as Historiographical Method: Japanese Theater and Its Doubles

      8 Plumbing the Past to Project into the Future: The Entangled Trajectories of Flamenco’s Twenty-First-Century Avant-Garde

      PART V: National Theater Histories—Entanglements and Disentanglements

      9 The Interwoven Performance Culture of Algeria

      10 Writing History as Disentanglement: Toward a Historiography of Modern Greek Theater

      Coda: The Whirligig of Tech: Theater as Media Archaeology

      Index

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