Description

Book Synopsis
Examines the making and meaning of history for everyday viewers

Trade Review
Alison Landsberg skillfully penetrates one of the most interesting yet elusive questions about popular representations of the past. What kinds of knowledge of the past do they offer? In elegant and precise analyses of selected texts, she demonstrates how they engage affect and emotion through experiential modes of communication. Contrary to many assumptions about such forms, Landsberg brilliantly argues that these reenactments have the potential to provoke self-conscious historical thinking much sought after by more conventional historical modes of communication. -- Ann Gray, emerita professor of cultural studies, University of Lincoln The book is carefully structured, sensitively expressed, and the analysis of thevarious media a contribution to thinking differently about cinematic uses ofpast. Critical Inquiry

Table of Contents
Acknowledgments Introduction 1. Theorizing Affective Engagement in the Historical Film 2. Waking the Past: The Historically Conscious Television Drama 3. Encountering Contradiction: Reality History TV 4. Digital Translations of the Past: Virtual History Exhibits Conclusion Notes Bibliography Index

Engaging the Past

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    A Hardback by Alison Landsberg

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      Publisher: Columbia University Press
      Publication Date: 02/06/2015
      ISBN13: 9780231165747, 978-0231165747
      ISBN10: 0231165749

      Description

      Book Synopsis
      Examines the making and meaning of history for everyday viewers

      Trade Review
      Alison Landsberg skillfully penetrates one of the most interesting yet elusive questions about popular representations of the past. What kinds of knowledge of the past do they offer? In elegant and precise analyses of selected texts, she demonstrates how they engage affect and emotion through experiential modes of communication. Contrary to many assumptions about such forms, Landsberg brilliantly argues that these reenactments have the potential to provoke self-conscious historical thinking much sought after by more conventional historical modes of communication. -- Ann Gray, emerita professor of cultural studies, University of Lincoln The book is carefully structured, sensitively expressed, and the analysis of thevarious media a contribution to thinking differently about cinematic uses ofpast. Critical Inquiry

      Table of Contents
      Acknowledgments Introduction 1. Theorizing Affective Engagement in the Historical Film 2. Waking the Past: The Historically Conscious Television Drama 3. Encountering Contradiction: Reality History TV 4. Digital Translations of the Past: Virtual History Exhibits Conclusion Notes Bibliography Index

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