Description
Book SynopsisTrade ReviewMoving within and between disciplines, traditions and paradigms with impressive erudition – and challenging overly simplistic cognitive and affective oppositions at every turn – this study establishes Hven as an original and powerful voice in the expanding theory of cinematic worlds, environments and atmospheres. * Daniel Yacavone, University of Edinburgh *
Table of ContentsAcknowledgements Introduction Chapter 1: The Diegesis as Environment: A New Theory of Film Worlds Chapter 2: The Atmospheric Worlds of Cinema Chapter 3: Narrative Experientiality and Affect Chapter 4: The Moving Camera and the Motor-Affective Arrangement of Films Chapter 5: Narratives Spaces and Sonic Environments Afterword Index
