Description
Book SynopsisThe Christian image in the process of modern globalisation Drawing on original research covering different periods and spaces, this book sets out to appreciate the specific place of images in the history of evangelisation in the long modern period. How can we reconceptualise the functions of the visual mediation of the gospel message, both in terms of the production and reception of this message and in terms of its effective mediators, artists, religious, and cultural ambassadors? The contributions in this book offer multiple geographical and historical insights regarding the circulation of the image on the global scale of the Christianised world or the world in the process of being Christianised, from China to Iberia. Combining the contribution of historians and art historians, the authors highlight the points of intercultural encounter and tension around preaching, catechesis, devotional practices and the propagandistic use of images. Through its aesthetic and social study of the image, and by examining the inner and outer borders of Europe and the mission lands, Eloquent Images contributes significantly to the history of evangelisation, one of the major dynamics of the first European globalisation. Contributors: Pierre-Antoine Fabre (EHESS, Paris), Clara Lieutaghi (EHESS Paris), Silvia Notarfonso (Universita di Macerata), Silvia Mostaccio (UCLouvain), Mauro Salis (Universita di Cagliari), Valentina Borniotto (Universita di Genova), Gwladys Le Cuff (Paris-Sorbonne - EHESS Paris), Mauricio Oviedo Salazar (Rijksuniversiteit Groningen), Maria Joao Pereira Coutinho (IHA/FCSH/NOVA Lisbon), Silvia Ferreira (IHA/FCSH/NOVA Lisbon), Paulo De Campos Pinto (Universidade Catolica Portuguesa), Lorenzo Ratto (Universita di Genova), Stephanie Porras (Tulane University), Arianna Magnani (Universita Ca' Foscari di Venezia), Michela Catto (Universita di Torino), Federico Palomo (Universidad Complutense de Madrid), Roberto Ricci (Istituto storico italiano per l'eta moderna e contemporanea, Roma), Francesco Sorce (independent scholar), Maria Vittoria Spissu (Universita di Bologna).
Trade ReviewOvercoming the traditional incommunicability between historians and art historians, the authors of the essays in the book work together by "questioning" the images involved in religious propaganda from a global viewpoint. In doing so, they offer new insights from an empirical perspective.Ivana Čapeta Rakić, University of Split
Deze bundel van opstellen wordt pas echt interessant en vernieuwend wanneer hij inzoomt op de gebruikte beeldcultuur in China, Japan, Constantinopel … Een absolute meerwaarde is de selectie van illustraties die verder gaat dan de gebruikelijke ‘sanctjes’ uit die periode. Werkelijk een belangrijke en vernieuwende studie in het veld van de iconografie en de iconologie.
Christusrex.be, 20.02.2023
This is a useful book for those of us attempting to undertake a more holistic exploration of the Jesuits and of early modern Catholicism. Moreover, and I think this is what is most important across the board, the book pushes us to question the notion of early modern Catholicism itself, as such a concept often ignores both the plurality of the experiences of Catholics across the globe as well as the myriad other religious traditions that Catholics confronted in seemingly endless contexts. In this sense, this collection gives us much to consider regarding the role of images in not only European-driven evangelization, but in the ways being Catholic often existed beyond the reaches of Rome, European powers, and their imperial agents.
Clines, R. J., Journal of Jesuit Studies, 10(2), 374-376. doi: https://doi.org/10.1163/22141332-10020009-02
Een prikkelend boek dat overtuigend laat zien hoe belangrijk beeldtaal was in de globaliserende vroegmoderne wereld. - Jonas van Tol, Tijdschrift voor Geschiedenis, Volume 136, Issue 1, Jun 2023, p. 88 - 89, DOI: https://doi.org/10.5117/TvG2023.1.012.TOL
El arte sacro como agente de normatividad.
La segunda publicación que aquí reseñaremos se titula »Eloquent Images«. Este volumen dialoga con el anterior en cuanto explora nuevos caminos de análisis sobre el poder normativo de las imágenes sagradas. Esta compilación de 17 artículos dirigida por Giuseppe Capriotti, Sabina Pavone y Pierre-Antoine Fabre propone un dialogo entre la historia del arte, de la religión, la historia cultural y la iconología para analizar conflictos religiosos en perspectiva global. El libro se divide en tres grandes secciones: procesos de conversión, caminos de devoción y formas de propaganda a través de imágenes sagradas. - Pilar Mejía, Rechtsgeschichte – Legal History Rg 31 (2023), http://dx.doi.org/10.12946/rg31/248-251
Table of ContentsFields and frontiers of religious images: An introduction
Giuseppe Capriotti, Sabina Pavone, and Pierre-Antoine Fabre
PART 1. CONVERTING THE IMAGES, CONVERTING BY THE IMAGES
Evangelicae Historiae Imagines as a paradigm of the Tridentine’s Image (16th–17th centuries)
Pierre-Antoine Fabre
The transcultural power of image : Giulio Aleni’s Life of Christ, and its diffusion between Europe and China
Arianna Magnani
Revealing images of Blessed Rodolfo Acquaviva
Roberto Ricci
Production, use and resemantisation of Marian images between evangelisation of mendicant orders and political propaganda in Spanish Sardinia (16th–17th centuries)
Mauro Salis
Destroy to replace: Evangelisation through images in missions in the East and West
Valentina Borniotto
Persuading with baptismal and triumphant images : Emotional entanglements in the apologies of conversion in the Early Modern Iberian World
Maria Vittoria Spissu
PART 2. PATHS OF DEVOTION
‘Reading images instead of touching the divine’: When the word disembodies the figure
Clara Lieutaghi
Crucified saints in the early seventeenth century : Models and devotional practices from the orthodox to the liminal in Spanish Europe
Silvia Mostaccio
A Protestant case of the presence of God : The heart as the material aspect of divine experience and evangelisation in Jan Luyken’s Emblem XIV
Mauricio Oviedo Salazar
Enlightening St. Ignatius through the flame of arts : A singular artistic and iconographic programme in the Church of the Holy Spirit in Évora
Maria João Pereira Coutinho, Paulo Campos Pinto, Sílvia Ferreira
Splendori delle tenebre : Nocturne paintings on stone in Verona in the age of Agostino Valier
Lorenzo Ratto
PART 3. WAYS OF PROPAGANDA
Governing angels, apocalyptic iconology, and imperialism : Reinterpreting the Apocalypsis nova
Gwladys Le Cuff
Baptising the Turks in Constantinople: “The Triumph of the Church” by Philippe Thomassin
Francesco Sorce
Religious imagery, conflict and coexistence in the seventeenth-century Balkans
Silvia Notarfonso
Quis ut Deus? Michael the Archangel across the early modern Spanish empire
Stephanie Porras
Global images for global worship : Narratives, paintings and engravings of the martyrs of Japan in seventeenth-century Iberian worlds
Federico Palomo
Stars, dragons and luminous crosses in the Chinese sky : The Jesuit mission’s connected perspective on the supernatural in China (17th century)
Michela Catto
About the authors
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