Description

Book Synopsis
These previously unpublished lectures by Elliott Carter date to the summer of 1967, when the acclaimed composer taught at the Contemporary Music Workshop held by the University of Minnesota. Leading an introductory course on orchestra repertoire, Carter gave nine hours of lectures covering principal topics like how to live with the musical present and whether the symphony orchestra was a relic of the past or a possible active force for new music. But Carter''s observations and prompts by audience questions broadened the discussion into areas ranging from electronic music to analyses of works by other artists and himself. Laura Emmery presents the complete text from each session alongside introductions, commentary, and annotated examples that provide valuable context for readers.

Expansive and essential, Elliott Carter Speaks opens up the artist''s teaching and introspection to new contemporary perspectives on his thought and art.

Please note that the order and arrangeme

Trade Review
"An exciting new contribution to Carter scholarship that documents one of the most important voices in concert music of the modern era. Audiences of contemporary music, musicians, and scholars of this era will find a rich new vein of material that reveals how Carter perceived his role in the musical history and culture of his time--along with a broad collection of analyses of compositions from Debussy and Bartók to Nono, Varèse, and Penderecki."--Douglas Rust, University of Southern Mississippi

Elliott Carter Speaks

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    A Hardback by Elliott Carter, Laura Emmery, Laura Emmery

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      Publisher: University of Illinois Press
      Publication Date: 22/02/2022
      ISBN13: 9780252044205, 978-0252044205
      ISBN10: 0252044207

      Description

      Book Synopsis
      These previously unpublished lectures by Elliott Carter date to the summer of 1967, when the acclaimed composer taught at the Contemporary Music Workshop held by the University of Minnesota. Leading an introductory course on orchestra repertoire, Carter gave nine hours of lectures covering principal topics like how to live with the musical present and whether the symphony orchestra was a relic of the past or a possible active force for new music. But Carter''s observations and prompts by audience questions broadened the discussion into areas ranging from electronic music to analyses of works by other artists and himself. Laura Emmery presents the complete text from each session alongside introductions, commentary, and annotated examples that provide valuable context for readers.

      Expansive and essential, Elliott Carter Speaks opens up the artist''s teaching and introspection to new contemporary perspectives on his thought and art.

      Please note that the order and arrangeme

      Trade Review
      "An exciting new contribution to Carter scholarship that documents one of the most important voices in concert music of the modern era. Audiences of contemporary music, musicians, and scholars of this era will find a rich new vein of material that reveals how Carter perceived his role in the musical history and culture of his time--along with a broad collection of analyses of compositions from Debussy and Bartók to Nono, Varèse, and Penderecki."--Douglas Rust, University of Southern Mississippi

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