Description

Book Synopsis
Elizabeth Bowen and the Writing of Trauma analyses the treatment of memory and the past in Bowen’s writing through the lens of trauma theory. It draws on the theories of Jacques Derrida, Hélène Cixous, Julia Kristeva, Sigmund Freud, and Cathy Caruth, to propose that Bowen’s work is best understood through the psychological, narratological, and linguistic effects of trauma in her fiction. Bowen’s writing complicates existing deconstructive and psychoanalytic models of trauma and literature, and testifies to the responsibility of survival and the ethics of bearing witness.

Table of Contents
Acknowledgements Introduction: “We Must Live How We Can” Chapter 1: Wound: The Hotel and To the North Chapter 2: Supplement: The Last September Chapter 3: Remains: The House in Paris and Friends and Relations Chapter 4: Death Sleep: The Death of the Heart Chapter 5: Safe: Wartime Short Fiction Chapter 6: Unknown: The Heat of the Day Chapter 7: Post: A World of Love Chapter 8: Crypt: The Little Girls Chapter 9: However: Eva Trout, or Changing Scenes Postscript Bibliography Index

Elizabeth Bowen and the Writing of Trauma: The Ethics of Survival

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    A Paperback by Jessica Gildersleeve

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      View other formats and editions of Elizabeth Bowen and the Writing of Trauma: The Ethics of Survival by Jessica Gildersleeve

      Publisher: Brill
      Publication Date: 01/01/2014
      ISBN13: 9789042037991, 978-9042037991
      ISBN10:

      Description

      Book Synopsis
      Elizabeth Bowen and the Writing of Trauma analyses the treatment of memory and the past in Bowen’s writing through the lens of trauma theory. It draws on the theories of Jacques Derrida, Hélène Cixous, Julia Kristeva, Sigmund Freud, and Cathy Caruth, to propose that Bowen’s work is best understood through the psychological, narratological, and linguistic effects of trauma in her fiction. Bowen’s writing complicates existing deconstructive and psychoanalytic models of trauma and literature, and testifies to the responsibility of survival and the ethics of bearing witness.

      Table of Contents
      Acknowledgements Introduction: “We Must Live How We Can” Chapter 1: Wound: The Hotel and To the North Chapter 2: Supplement: The Last September Chapter 3: Remains: The House in Paris and Friends and Relations Chapter 4: Death Sleep: The Death of the Heart Chapter 5: Safe: Wartime Short Fiction Chapter 6: Unknown: The Heat of the Day Chapter 7: Post: A World of Love Chapter 8: Crypt: The Little Girls Chapter 9: However: Eva Trout, or Changing Scenes Postscript Bibliography Index

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