Description

Book Synopsis
Offers a broad view of the writing and careers of eighteenth-century women poets, casting a fresh light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions.

Trade Review
Backscheider... writes with an ease and clarity that make this book fully accessible. Choice 2006 Passionate and wide-ranging study. -- Helen Deutsch London Review of Books 2006 Wise and preeminently useful... A courageous book. -- Ellen Moody Eighteenth-Century Intelligencer Our sense of eighteenth-century poetic territory is immeasurably expanded by the new work of Backscheider... Besides an excellent historical and cultural introduction on the landscape of poetry production in the eighteenth century,... each chapter offers fine-grained close readings of often fully quoted poems (many of which are still not readily available in print) along with biographical and formal contexts. -- Cynthia Wall Studies in English Literature 2006 For specialists of eighteenth-century literature in English, this is a must-read book. -- Betty A. Schellenberg Eighteenth-Century Studies 2006 This book paves the way for further work and is itself a valuable contribution to exciting nascent debates. -- Louise Marshall Modern Language Review 2008 Brilliantly introduces issues, opportunities, and new directions, that open up vistas into a vital world of complex personalities, engaging social practices, and inspiring artistic achievements. -- Elizabeth Kraft Scriblerian 2008 One of the best and most significant books on eighteenth-century poetry to appear in recent years. -- Stephen C. Behrendt Wordsworth Circle 2007

Table of Contents

Acknowledgments
Abbreviations
Plan of the Book
Approaching the Poetry
The Chapters
1. Introduction
Changing Contexts
Systems, Gender, and Persistent Issues
Agency and the ''Marked Marker''
2. Anne Finch and What Women Wrote
The Social and the Formal
Anne Finch and Popular Poetry
Poetry on Poetry
The Spleen as Legacy
3. Women and Poetry in the Public Eye
Poetry as News and Critique
The Woman Question
Elizabeth Singer Rowe
4. Hymns, Narratives, and Innovations in Religious Poetry
The Voice of Paraphrase
The Hymn as Personal Lyric
Religious Poetry as Subversive Narrative
Devout Soliloquies
5. Friendship Poems
The Legacy of Katherine Philips
Encouragement and the Counteruniverse
Jane Brereton
Adaptation and Ideology
6. Retirement Poetry
Beyond Convention
Memory, Time, and Elizabeth Carter
Reflection and Difference
7. The Elegy
What Did Women Write?
Representative Composers: Darwall and Seward
The Elegy and Same-Sex Desire
Entertainment and Forgetting
8. The Sonnet, Charlotte Smith, and What Women Wrote
The Sonnet and the Political
Sonnet Sequences
Women Poets and the Spread of the Sonnet
The Emigrants, Conversations, and Beachy Head
Smith as Transitional Poet
9. Conclusion
Biographies of the Poets
Notes
Bibliography
Index

EighteenthCentury Women Poets and Their Poetry

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    A Paperback / softback by Paula R. Backscheider

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      View other formats and editions of EighteenthCentury Women Poets and Their Poetry by Paula R. Backscheider

      Publisher: Johns Hopkins University Press
      Publication Date: Publication Date: 28/01/2008
      ISBN13: 9780801887468, 978-0801887468
      ISBN10: 0801887461

      Description

      Book Synopsis
      Offers a broad view of the writing and careers of eighteenth-century women poets, casting a fresh light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions.

      Trade Review
      Backscheider... writes with an ease and clarity that make this book fully accessible. Choice 2006 Passionate and wide-ranging study. -- Helen Deutsch London Review of Books 2006 Wise and preeminently useful... A courageous book. -- Ellen Moody Eighteenth-Century Intelligencer Our sense of eighteenth-century poetic territory is immeasurably expanded by the new work of Backscheider... Besides an excellent historical and cultural introduction on the landscape of poetry production in the eighteenth century,... each chapter offers fine-grained close readings of often fully quoted poems (many of which are still not readily available in print) along with biographical and formal contexts. -- Cynthia Wall Studies in English Literature 2006 For specialists of eighteenth-century literature in English, this is a must-read book. -- Betty A. Schellenberg Eighteenth-Century Studies 2006 This book paves the way for further work and is itself a valuable contribution to exciting nascent debates. -- Louise Marshall Modern Language Review 2008 Brilliantly introduces issues, opportunities, and new directions, that open up vistas into a vital world of complex personalities, engaging social practices, and inspiring artistic achievements. -- Elizabeth Kraft Scriblerian 2008 One of the best and most significant books on eighteenth-century poetry to appear in recent years. -- Stephen C. Behrendt Wordsworth Circle 2007

      Table of Contents

      Acknowledgments
      Abbreviations
      Plan of the Book
      Approaching the Poetry
      The Chapters
      1. Introduction
      Changing Contexts
      Systems, Gender, and Persistent Issues
      Agency and the ''Marked Marker''
      2. Anne Finch and What Women Wrote
      The Social and the Formal
      Anne Finch and Popular Poetry
      Poetry on Poetry
      The Spleen as Legacy
      3. Women and Poetry in the Public Eye
      Poetry as News and Critique
      The Woman Question
      Elizabeth Singer Rowe
      4. Hymns, Narratives, and Innovations in Religious Poetry
      The Voice of Paraphrase
      The Hymn as Personal Lyric
      Religious Poetry as Subversive Narrative
      Devout Soliloquies
      5. Friendship Poems
      The Legacy of Katherine Philips
      Encouragement and the Counteruniverse
      Jane Brereton
      Adaptation and Ideology
      6. Retirement Poetry
      Beyond Convention
      Memory, Time, and Elizabeth Carter
      Reflection and Difference
      7. The Elegy
      What Did Women Write?
      Representative Composers: Darwall and Seward
      The Elegy and Same-Sex Desire
      Entertainment and Forgetting
      8. The Sonnet, Charlotte Smith, and What Women Wrote
      The Sonnet and the Political
      Sonnet Sequences
      Women Poets and the Spread of the Sonnet
      The Emigrants, Conversations, and Beachy Head
      Smith as Transitional Poet
      9. Conclusion
      Biographies of the Poets
      Notes
      Bibliography
      Index

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