Description
Book SynopsisThis book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy.
Trade Review'The author is to be applauded for showing how important it is to think of Roman material culture as precisely that - Roman - serving the needs and concerns of its Roman patrons, despite its historical or stylistic origins. She succeeds in her aim of integrating Egyptian-style objects into the wider history of Roman art, and in showing that context matters, with objects' meanings changing along with their owners and viewers. It is an important contribution to our wider understanding of the extent to which Roman culture in general, and Roman art in particular, was forged in the crucible of appropriation.' Zahra Newby, The Journal of Roman Studies
Table of ContentsIntroduction: from Egypt to Italy; 1. Egyptian objects, Roman contexts: appropriation and aesthetics; 2. Aegyptus Redacta: Augustus' obelisks and the spoils of Egypt; 3. The sanctuary of Isis in Pompeii: dedication and devotion, myth and ritual; Appendix 3.1: marble inscriptions from the sanctuary of Isis; Appendix 3.2: dipinti near the sanctuary of Isis; Appendix 3.3: multiples and adaptations: Io panel paintings; Appendix 3.4: graffiti quoting; or, adapting Ovid from Pompeii; 4. Images of Egypt: land at the limit of belief; Appendix 4: the structure and argument of 'Juvenal 15'; Conclusion: the afterlives of objects.
