Description

Book Synopsis

The formulation ‘egalitarian strangeness’ is a direct borrowing from Courts voyages au pays du peuple [Short Voyages to the Land of the People] (1990), a collection of essays by the contemporary French thinker Jacques Rancière. Perhaps best known for his theory of radical equality as set out in Le Maître ignorant [The Ignorant Schoolmaster] (1987), Rancière reflects on ways in which a hierarchical social order based on inequality can come to be unsettled. In the democracy of literature, for example, he argues that words and sentences serve to capture any life and to make it available to any reader. The present book explores embedded forms of social and cultural ‘apportionment’ in a range of modern and contemporary French texts (including prose fiction, socially engaged commentary, and autobiography), while also identifying scenes of class disturbance and egalitarian encounter. Part One considers the ‘refrain of class’ audible in works by Claude Simon, Charles Péguy, Marie Ndiaye, Thierry Beinstingel, and Gabriel Gauny and examines how these authors’ practices of language connect with that refrain. In Part Two, Hughes analyses forms of domination and dressage with reference to Simone Weil’s mid-1930s factory journal, Paul Nizan’s novel of class alienation Antoine Bloyé from the same decade, and Pierre Michon’s Vies minuscules [Small Lives] (1984) with its focus on obscure rural lives. The reflection on how these narratives draw into contiguity antagonistic identities is extended in Part Three, where individual chapters on Proust and the contemporary authors François Bon and Didier Eribon demonstrate ways in which enduring forms of cultural distribution are both consolidated and contested.



Table of Contents
Acknowledgements
List of Illustrations
Introduction: By Way of Rancière

PART I: THE REFRAIN OF CLASS
Chapter 1 Events and Sensibility in Claude Simon’s L’Acacia
Chapter 2 ‘Les Savoirs de la main’: Dramas of Manual Knowledge in Péguy and Beinstingel
Chapter 3 A Solitary Emancipation: Ndiaye’s La Cheffe, roman d’une cuisinière
Chapter 4 The Worker Philosopher: Gauny and Self-Belonging

PART II: DISTURBANCE AND DRESSAGE
Chapter 5 Animal laborans: Missing Life in Paul Nizan’s Antoine Bloyé
Chapter 6 A Degrading Division: Hands and Minds in Simone Weil
Chapter 7 Pierre Michon, ‘Small Lives’, and the Terrain of Art

PART III: AUDIBLE VOICES
Chapter 8 Tales of Distribution in A la recherche du temps perdu
Chapter 9 Convocation, or On Ways of Being Together: François Bon
Chapter 10 Circuits of Re-appropriation: Accessing the Real in the Work of Didier Eribon

Conclusion
Bibliography
Index

Egalitarian Strangeness: On Class Disturbance and

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    A Hardback by Edward J. Hughes

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      Publisher: Liverpool University Press
      Publication Date: 01/05/2021
      ISBN13: 9781800348424, 978-1800348424
      ISBN10: 1800348428

      Description

      Book Synopsis

      The formulation ‘egalitarian strangeness’ is a direct borrowing from Courts voyages au pays du peuple [Short Voyages to the Land of the People] (1990), a collection of essays by the contemporary French thinker Jacques Rancière. Perhaps best known for his theory of radical equality as set out in Le Maître ignorant [The Ignorant Schoolmaster] (1987), Rancière reflects on ways in which a hierarchical social order based on inequality can come to be unsettled. In the democracy of literature, for example, he argues that words and sentences serve to capture any life and to make it available to any reader. The present book explores embedded forms of social and cultural ‘apportionment’ in a range of modern and contemporary French texts (including prose fiction, socially engaged commentary, and autobiography), while also identifying scenes of class disturbance and egalitarian encounter. Part One considers the ‘refrain of class’ audible in works by Claude Simon, Charles Péguy, Marie Ndiaye, Thierry Beinstingel, and Gabriel Gauny and examines how these authors’ practices of language connect with that refrain. In Part Two, Hughes analyses forms of domination and dressage with reference to Simone Weil’s mid-1930s factory journal, Paul Nizan’s novel of class alienation Antoine Bloyé from the same decade, and Pierre Michon’s Vies minuscules [Small Lives] (1984) with its focus on obscure rural lives. The reflection on how these narratives draw into contiguity antagonistic identities is extended in Part Three, where individual chapters on Proust and the contemporary authors François Bon and Didier Eribon demonstrate ways in which enduring forms of cultural distribution are both consolidated and contested.



      Table of Contents
      Acknowledgements
      List of Illustrations
      Introduction: By Way of Rancière

      PART I: THE REFRAIN OF CLASS
      Chapter 1 Events and Sensibility in Claude Simon’s L’Acacia
      Chapter 2 ‘Les Savoirs de la main’: Dramas of Manual Knowledge in Péguy and Beinstingel
      Chapter 3 A Solitary Emancipation: Ndiaye’s La Cheffe, roman d’une cuisinière
      Chapter 4 The Worker Philosopher: Gauny and Self-Belonging

      PART II: DISTURBANCE AND DRESSAGE
      Chapter 5 Animal laborans: Missing Life in Paul Nizan’s Antoine Bloyé
      Chapter 6 A Degrading Division: Hands and Minds in Simone Weil
      Chapter 7 Pierre Michon, ‘Small Lives’, and the Terrain of Art

      PART III: AUDIBLE VOICES
      Chapter 8 Tales of Distribution in A la recherche du temps perdu
      Chapter 9 Convocation, or On Ways of Being Together: François Bon
      Chapter 10 Circuits of Re-appropriation: Accessing the Real in the Work of Didier Eribon

      Conclusion
      Bibliography
      Index

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