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Book SynopsisTable of ContentsAcknowledgements Notes on Contributors Introduction: Know Your Enemy, Know Yourself, by Rikke Schubart and Anne Gjelsvik Part 1: History 1. The Making and Remakings of an American Icon: 'Raising the Flag on Iwo Jima' from Photojournalism to Global, Digital Media, by Mette Mortensen 2. The Forgotten Cinematographer of Mount Suribachi: Bill Genaust's Eight-Second Iwo Jima Footage and the Historical Facsimile, by Bjorn Sorenssen 3. Flags of Their Stepfather? Race and Culture in the Context of Military Service and the Fight for Citizenship, by Martin Edwin Andersen Part 2: Flags of Our Fathers 6. Following the Flag in American Film, by Robert Eberwein 7. Care or Glory? Picturing a New War Hero, by Anne Gjelsvik 8.Beyond Mimesis: War, History, and Memory in Flags of Our Fathers, by Holger Potzsch 9. Clint Eastwood's Postclassical Multiple Narratives of Iwo Jima, by Glenn Man 10. Haunting in the War Film: Flags of Our Fathers, by Robert Burgoyne Part 3: Letters from Iwo Jima 11. Eastwood and the Enemy, by Rikke Schubart 12. Eat of Eastwood: Iwo Jima and the Japanese Context, by Lars-Martin Sorensen 13. Humanism versus Patriotism: Eastwood Trapped in the Bi-polar Logic of Warfare, by Mikkel Bruun Zangenberg 14. Suicide in Letters from Iwo Jima, by Robert Burgoyne Part 4: War Today 15. To Sell a War: Flags, Lies, and Tragedy, by Vibeke Schou Tjalve 16. Banzai! Letters from Iwo Jima and Choosing the Enemy in Risk Society, by Mikkel Vedby Rasmussen Filmography Index