Description

Book Synopsis

FINALIST FOR THE 2020 PULITZER PRIZE IN POETRY

A finalist for both the 2019 National Book Critics Circle Award and a the LA Times Book Award, and longlisted for the National Book Award.


Through her many projects across numerous genres, Mary Ruefle has proven herself a singular artist, drawing many fans from around the world to her unique vision. With Dunce she returns to the practice that has always been at her core: the making of poems. With her startlingly fresh sensibility, she enraptures us in poem after poem by the intensity of her attention, with the imaginative flourishes of her being-in-the-world, which is always deep with mysteries, unexpected appearances, and abiding yearning.



Trade Review

Ruefle delivers a giddy, incisive ode to failure, fragility, and unknowing in her 12th book. "It may be our heads/ are filled with feathers/ from the stuff/ we don't know," she hazards, tiptoeing through one after another outlandish scenario sketched with uncanny delicacy. Many of these poems conceal sly fragments of lyric allusion or history: "I loved to wander, utterly alone"; "The fourteenth way of looking at/ a blackbird is mine." Rhymes abound as though refusing resistance to such play, and a poem that opens in euphoria ("What a beautiful day for a wedding!") ends, just a few lines later, in despair ("I hate my poems"). However, the poet reassures the reader that such states are kindred, even twinned. Ruefle celebrates the world's imagination and mystery: "I want to thank my clothes for protecting my body. I want to/ fold them properly—I want/ the energy that flows from my hands/ to engulf the world./ Upon reflection, this is not/ possible. Upon reflection/ it is I who am pummeled by/ the world, that vast massage/ machine." These poems grace the readers with wonder, wisdom, and whim "conducted/ without compromise," securing Ruefle's reputation among poets as the patron saint of childhood and the everyday.
Publishers Weekly, starred review


"Ruefle has shown a talent for elevating her acute observations and narrative inclination well above mere anecdote to create quietly disquieting moments—a literature of barbed ambiguity and unresolved disruption."—Albert Mobilio, Bookforum

"Straightforward in form, comic and companionable in tone, blessed with the Martian gift of seeing the strange in the ordinary and vice-versa. . . "—Joel Brouwer, Poetry

"Ruefle’s speakers muse in a very deliberate, declarative syntax in a lot of universalities, generalities, and absolutes, speaking often for all of us."—Adrien Blevins, Ploughshares

"For more than thirty years, she has freshened American poetry by humbly glorifying both the inner life and the outward experience."—Rodney Jones, Poetry Society of America

"[She is] a poet of visionary imagination, abiding sensitivity, and melancholy humor."—Publishers Weekly

"Ruefle is clearly one of the best American poets writing, and her body of work is remarkable for its spiritual force, intelligence, stylistic virtuosity, and adventurousness."—Tony Hoagland, On the Seawall

"Ruefle is the Poet Laureate of the City of Ideas — surreal and lyrical and deeply moving at the same time."— Michael Klein, Los Angeles Review of Books


"The ostensible occasions of Ruefle’s poems are minor: not the funeral, but the bath. They record small moments with sweeping scope, moments in which the speed of thought seems to outpace real time."—Elisa Gabbert, The New York Times



Table of Contents

Contents

Apple in Water

Long White Cloud

Solomon

Dunce

The Good Fortune of Material Existence

Maria and the Halls of Perish

Crackerbell

Resin

A Late Dense Work

Midnight Express

General Direction

Earthly Failure

Tuna and a Play

Suddenly

Unbeknownst

Dark Corner

Attention!

Little Stream

Meditation on My Skull

North Wind

Happiness

Lorraine

The Eventualist

Are You Talking about a Funeral?

The Friend

Sent to the Monk

Bath Time

Searchlight

I Cannot Be Quiet an Hour

Interlude for a Solitary Flute

Muguet des Bois

Dispirited While Packing My Books…

The Death of Atahualpa at the Hands of Pizarro’s Men

Singular Dream

Patience

Lightly, Very Lightly

Inglenook

Super Bowl

Jewelweed

The Unfurl

Sequoia

The Note

Special Delivery

A New Dawn

Nixie

Little Travel Book

Grandma Moses

The Heart of Princess Osra

Lillian

Wintersault

Destination

Happy Birthday

Origin Myth

The Cake

A Morning Person

Vow of Extinction

How We Met

Errand

The Butter Festival

30 March

Halloween

Boutonniere

Genesis

The Leaves

Acknowledgments


Dunce

    Product form

    £999.99

    Includes FREE delivery

    A Paperback / softback by Mary Ruefle

    Out of stock

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      View other formats and editions of Dunce by Mary Ruefle

      Publisher: Wave Books
      Publication Date: Publication Date: 14/01/2021
      ISBN13: 9781940696997, 978-1940696997
      ISBN10: 1940696992
      Also in:
      Poetry

      Description

      Book Synopsis

      FINALIST FOR THE 2020 PULITZER PRIZE IN POETRY

      A finalist for both the 2019 National Book Critics Circle Award and a the LA Times Book Award, and longlisted for the National Book Award.


      Through her many projects across numerous genres, Mary Ruefle has proven herself a singular artist, drawing many fans from around the world to her unique vision. With Dunce she returns to the practice that has always been at her core: the making of poems. With her startlingly fresh sensibility, she enraptures us in poem after poem by the intensity of her attention, with the imaginative flourishes of her being-in-the-world, which is always deep with mysteries, unexpected appearances, and abiding yearning.



      Trade Review

      Ruefle delivers a giddy, incisive ode to failure, fragility, and unknowing in her 12th book. "It may be our heads/ are filled with feathers/ from the stuff/ we don't know," she hazards, tiptoeing through one after another outlandish scenario sketched with uncanny delicacy. Many of these poems conceal sly fragments of lyric allusion or history: "I loved to wander, utterly alone"; "The fourteenth way of looking at/ a blackbird is mine." Rhymes abound as though refusing resistance to such play, and a poem that opens in euphoria ("What a beautiful day for a wedding!") ends, just a few lines later, in despair ("I hate my poems"). However, the poet reassures the reader that such states are kindred, even twinned. Ruefle celebrates the world's imagination and mystery: "I want to thank my clothes for protecting my body. I want to/ fold them properly—I want/ the energy that flows from my hands/ to engulf the world./ Upon reflection, this is not/ possible. Upon reflection/ it is I who am pummeled by/ the world, that vast massage/ machine." These poems grace the readers with wonder, wisdom, and whim "conducted/ without compromise," securing Ruefle's reputation among poets as the patron saint of childhood and the everyday.
      Publishers Weekly, starred review


      "Ruefle has shown a talent for elevating her acute observations and narrative inclination well above mere anecdote to create quietly disquieting moments—a literature of barbed ambiguity and unresolved disruption."—Albert Mobilio, Bookforum

      "Straightforward in form, comic and companionable in tone, blessed with the Martian gift of seeing the strange in the ordinary and vice-versa. . . "—Joel Brouwer, Poetry

      "Ruefle’s speakers muse in a very deliberate, declarative syntax in a lot of universalities, generalities, and absolutes, speaking often for all of us."—Adrien Blevins, Ploughshares

      "For more than thirty years, she has freshened American poetry by humbly glorifying both the inner life and the outward experience."—Rodney Jones, Poetry Society of America

      "[She is] a poet of visionary imagination, abiding sensitivity, and melancholy humor."—Publishers Weekly

      "Ruefle is clearly one of the best American poets writing, and her body of work is remarkable for its spiritual force, intelligence, stylistic virtuosity, and adventurousness."—Tony Hoagland, On the Seawall

      "Ruefle is the Poet Laureate of the City of Ideas — surreal and lyrical and deeply moving at the same time."— Michael Klein, Los Angeles Review of Books


      "The ostensible occasions of Ruefle’s poems are minor: not the funeral, but the bath. They record small moments with sweeping scope, moments in which the speed of thought seems to outpace real time."—Elisa Gabbert, The New York Times



      Table of Contents

      Contents

      Apple in Water

      Long White Cloud

      Solomon

      Dunce

      The Good Fortune of Material Existence

      Maria and the Halls of Perish

      Crackerbell

      Resin

      A Late Dense Work

      Midnight Express

      General Direction

      Earthly Failure

      Tuna and a Play

      Suddenly

      Unbeknownst

      Dark Corner

      Attention!

      Little Stream

      Meditation on My Skull

      North Wind

      Happiness

      Lorraine

      The Eventualist

      Are You Talking about a Funeral?

      The Friend

      Sent to the Monk

      Bath Time

      Searchlight

      I Cannot Be Quiet an Hour

      Interlude for a Solitary Flute

      Muguet des Bois

      Dispirited While Packing My Books…

      The Death of Atahualpa at the Hands of Pizarro’s Men

      Singular Dream

      Patience

      Lightly, Very Lightly

      Inglenook

      Super Bowl

      Jewelweed

      The Unfurl

      Sequoia

      The Note

      Special Delivery

      A New Dawn

      Nixie

      Little Travel Book

      Grandma Moses

      The Heart of Princess Osra

      Lillian

      Wintersault

      Destination

      Happy Birthday

      Origin Myth

      The Cake

      A Morning Person

      Vow of Extinction

      How We Met

      Errand

      The Butter Festival

      30 March

      Halloween

      Boutonniere

      Genesis

      The Leaves

      Acknowledgments


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