Description
Book SynopsisFrom the Middle Ages to the present, master draftsmen have used the technique of metalpoint to create some of the most beautiful and technically accomplished drawings in the history of art. Drawing in Silver and Gold examines the history of this evocative medium, in which a metal stylus is used on a specially prepared surface to create lines of ast
Trade Review"The superb exhibition catalog, edited and partly written by Ms. Sell and Mr. Chapman, represents the latest scholarship in this remarkable field, including the technical research of National Gallery paper conservator Kimberly Schenck."--Barrymore Laurence Scherer, Wall Street Journal
Table of ContentsDirectors' Foreword, Earl A. Powell III and Nei l MacGregor xi Lenders to the Exhibition xiii Introduction, Stacey Sell 1 Drawings Under Scrutiny: The Materials and Techniques of Metalpoint, Kimberly Schenck 9 Masters of Silverpoint in the Netherlandish Renaissance, John Oliver Hand 25 Silverpoint Drawings by German and Swiss Renaissance Artists, Giulia Bartrum 63 The Rise and Decline of Metalpoint Drawing in Renaissance Italy, Hugo Chapman 101 Metalpoint Drawings in the Low Countries in the Sixteenth and Seventeenth Centuries, An Van Camp 145 The Silverpoint Revival in Nineteenth-Century Britain, Stacey Sell 189 Modern and Contemporary Drawing in Metalpoint, Bruce Weber 225 The Technical Examination of Metalpoint Drawings, Joanna Russe ll, Judith Rayner, and Jenny Bescoby 261 Exhibition Checklist 275 Selected Bibliography 291 Acknowledgments 303 Index 307 Photography Credits 313
