Description
Book SynopsisAn instructive book that examines the practice of drawing for illustration through case studies and sketchbooks, written by one of the worldâs foremost experts and teachers on the subject. This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approac
Trade Review'The basic principles of line, tone, composition, structure, perspective, and color are explored with ample examples, from sketches to their final printed illustrations' - Library Journal
Table of ContentsIntroduction
1. Drawing and Illustration Drawing: what is it?
Illustration: what is it?
Drawing and Me: Isabelle Arsenault
Knowing through drawing: the education of the illustrator
Born’ or ‘True’?: Edward Ardizzone and Lynton Lamb
2. The Basics Observation: learning to see
Tools and materials
Line
Tone
Using line to suggest tone
Mark-making and printmaking, Christopher Brown
Composition and structure
Perspective
Drawing and colour, Vyara Boyadijieva
People and environments
Drawing animals
Drawing and photography
Tools and materials
3. From observation to Imagination: Making the links Drawing from memory, Yann Kebbi
Simon Bartram: Monday Man
Bill Bragg: Making the links
Sketchbooks/ visual journals
John Vernon Lord: The journals
Sally Dunne: Sketchbooks and me
Alexis Deacon: Drawing, thinking and the psychology of ‘finished’
4. Drawing and applied illustration Editorial/ magazine illustration
- David Humphries: Newton’s Cradle or ‘The biggest hum’
Book Illustration
- Evelyn Dunbar
- Pablo Auladell: La Feria Anbandonada
Character development
- Fifi Kuo
- Ellie Snowdon
- Axel Scheffler: The evolution of a personal visual language
Atmosphere and fantasy
- Victoria Turnbull
- Sheila Robinson
Authorial graphic storytelling
- Isabel Greenberg
- Jon McNaught
Advertising and display
- Kerry Lemon
- Frank Newbould
Humour
- Paul Slater
Reportage and graphic commentary
- David Hughes: Covid Diary
- Robert Weaver
- John Minton: Reportage for advertising
Illustration and photography
5. Postscript: A word about Style
