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"One of the most acclaimed French poets from the turn of the eighteenth century and one of the rare women of the time to achieve recognition at court, Louise-Geneviève Gillot de Sainctonge was France's first female librettist. The current volume provides not only the most in-depth biography of her ever published, but also the first appearance of any of her work in English. It features her two tragic opera libretti, both of which were set to music and staged at the Opéra, a spoken play that constitutes an important precursor of tearful comedy, and a small sampling of her poetry. The three dramatic works give thoughtful portrayals of women of high rank who exemplify traits such as fidelity, integrity and forthrightness, only to find themselves powerless in a misogynist society, where the male heroes turn out to be inglorious."
* Perry Gethner, Oklahoma State University *

Table of Contents
Acknowledgments ix
Introduction
The Other Voice 1
Context for Women’s Theatrical Writing 2
Personal Context of Her Work
Family 7
Career 13
Personal Connections 35
Self-Representations 44
Criticism 50
Translations
Selected Poems
Introduction 53
Poems 54
Opera Librettos
Opera in Paris: Introduction 67
Dido
Introduction 85
Dido, Tragedy 103
Jean Baptiste Dubos: Critique of the Opera
Dido by Demarest 141
Circe
Introduction 145
Circe, Tragedy 167
Drama
Griselda
Introduction 207
Griselda, or the Princess of Saluzzo 225
Bibliography 270
Index 285

Dramatizing Dido Circe and Griselda Volume 5

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    A Paperback / softback by Louise–genevièv Gillot De Sainc, Janet Levarie Smarr

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      View other formats and editions of Dramatizing Dido Circe and Griselda Volume 5 by Louise–genevièv Gillot De Sainc

      Publisher: University of Toronto Press
      Publication Date: Publication Date: 01/05/2010
      ISBN13: 9780772720696, 978-0772720696
      ISBN10: 077272069X

      Description

      Book Synopsis


      Trade Review
      "One of the most acclaimed French poets from the turn of the eighteenth century and one of the rare women of the time to achieve recognition at court, Louise-Geneviève Gillot de Sainctonge was France's first female librettist. The current volume provides not only the most in-depth biography of her ever published, but also the first appearance of any of her work in English. It features her two tragic opera libretti, both of which were set to music and staged at the Opéra, a spoken play that constitutes an important precursor of tearful comedy, and a small sampling of her poetry. The three dramatic works give thoughtful portrayals of women of high rank who exemplify traits such as fidelity, integrity and forthrightness, only to find themselves powerless in a misogynist society, where the male heroes turn out to be inglorious."
      * Perry Gethner, Oklahoma State University *

      Table of Contents
      Acknowledgments ix
      Introduction
      The Other Voice 1
      Context for Women’s Theatrical Writing 2
      Personal Context of Her Work
      Family 7
      Career 13
      Personal Connections 35
      Self-Representations 44
      Criticism 50
      Translations
      Selected Poems
      Introduction 53
      Poems 54
      Opera Librettos
      Opera in Paris: Introduction 67
      Dido
      Introduction 85
      Dido, Tragedy 103
      Jean Baptiste Dubos: Critique of the Opera
      Dido by Demarest 141
      Circe
      Introduction 145
      Circe, Tragedy 167
      Drama
      Griselda
      Introduction 207
      Griselda, or the Princess of Saluzzo 225
      Bibliography 270
      Index 285

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