Description
Book SynopsisLeigh H. Edwards explores Partons roles as musician, actor, author, philanthropist, and entrepreneur to show how her gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Parton depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.
Trade ReviewA stellar exploration of how Parton deftly balanced traditional country aesthetics with her willingness to rebel against those same trappings by completely owning her image and how she performed her femininity. Thanks to thorough research that digs into Parton's personal statements across her autobiography, social media outlets, and interviews in a variety of mediums, the reader is presented with a woman completely in control of who she is, her art, and how people interact with her.
-- Adam P. Newton * BeardedGentlemenMusic.com *
With her generous, comprehensive examination of Parton's image and career, Edwards makes a valuable contribution to studies of celebrity, gender, music, media, and popular culture that should be useful to scholars working in any of these areas.
-- Jennifer Lynn Jones * Celebrity Studies *
"The new book Dolly Parton, Gender, and Country Music investigates the character behind the chart-topping musician we've come to know and love."
* Shondaland *
Dolly Parton, Gender, and Country Music is a timely full-length monograph on a figure who has endured on the national and international scene for more than one-half century. Fittingly, this study is authored by a leading scholar of contemporary popular culture. The keyword in Dolly Parton, Gender, and Country Music is 'transgression,' for Professor Edwards demonstrates the terms by which, over decades, Parton's personae both conform to well-established patterns of identity and simultaneously subvert them.
-- Cecelia Tichi,
Journal of Popular Music Studies The book moves seamlessly from the mythology of Dolly Parton and the crafting of her gender persona to the singer's performance within different types of frameworks through Hollywood, crossover markets, and the digital stage. Edwards has allowed us to look deeper into how that combination of femininity has been a platform of change for both Parton and our perception of her persona, while opening the door for exploration of how Parton's influence may help craft the careers of future performers.
* The Journal of Popular Culture *
The book is full of solid arguments for the worthiness of Parton as a scholarly subject, including the complexities and juxtapositions of her life as a media figure with an enduring career.
* Music Reference Services Quarterly *
Overall, Dolly Parton, Gender, and Country Music examines Parton's trailblazing career in the male-dominated world of country music through the lens of gender themes and identity, including the expansion of her media empire of music, movies, theme park, and numerous other efforts.
* Communication Booknotes Quarterly *
Deftly introduces the public and private Dolly Parton in this well-researched study of a cultural phenomenon.
* AudioFile *
Table of ContentsAcknowledgments
Introduction: Dolly Mythology
1. "Backwoods Barbie": Dolly Parton's Gender Performance
2. My Tennessee Mountain Home: Early Parton and Authenticity Narratives
3. Parton's Crossover and Film Stardom: The "Hillbilly Mae West"
4. Hungry Again: Reclaiming Country Authenticity Narratives
5. "Digital Dolly" and New Media Fandoms
Conclusion: Brand Evolution and Dollywood
Works Cited
Index
