Description



Trade Review

“Instead of isolating artists such as Buñuel and Dalí from the political contexts in which they produced their work, Mendelson studies the role these and other artists played in negotiating Spanish modernity and in conventional thinking about family and nation, rural and urban Spain, Republican and Fascist ideology.”

—Lou Charnon-Deutsch,author of The Spanish Gypsy


“This is a major study that I would expect to become a classic. The Spanish documentary practices chosen for analysis are all related to exhibition culture in some way but also to ethnographic studies in Spain at the time, which in turn provide crucial information about attitudes toward Spain’s relation to modernity and its ‘usable past.’”

—Jo Labanyi,University of Southampton


“Mendelson’s well-documented study sees this cultural phenomenon . . . as a recognition of the country’s modernity, or what modernity might have looked like in the Spain of the 1930s. . . . Smart, original, and well written, this book gives us a fresh view of artistic (documentary) activity during one of Spain’s most intense and troubled times.”

—David T. Gies Virginia Quarterly Review


“Smart, original, and well written, this book gives us a fresh view of artistic (documentary) activity during one of Spain’s most intense and troubled times.”

—David T. Giles Virginia Quarterly Review


Documenting Spain is an admirable book, enhanced by the gorgeous presentation afforded by its publisher. Mendelson proves that daring cultural analysis can, in fact, coexist with rich empirical research.”

—Mauricio Tenorio Journal of Modern History



Table of Contents

Contents

List of Illustrations

Acknowledgments

Introduction

1. El Poble Espanyol/El Pueblo Español (1929)

2 From Dalí’s “Documental-París—1929” to Buñuel’s Untitled (Eating Sea Urchins) (1930)

3. Las Hurdes: Land Without Bread (1933)

4. The Misiones Pedagógicas and Other Documentary Excursions

5. Josep Renau and the 1937 Spanish Pavilion in Paris

6. Salvador Dalí’s Le Mythe Tragique de l’Angélus de Millet (1932–38/1963)

Epilogue

Bibliography

Index

Documenting Spain Artists Exhibition Culture and the Modern Nation 19291939 Refiguring Modernism

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    A Paperback by Jordana Mendelson

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      View other formats and editions of Documenting Spain Artists Exhibition Culture and the Modern Nation 19291939 Refiguring Modernism by Jordana Mendelson

      Publisher: Penn State University
      Publication Date: Publication Date:
      ISBN13: 9780271024745, 978-0271024745
      ISBN10:

      Description



      Trade Review

      “Instead of isolating artists such as Buñuel and Dalí from the political contexts in which they produced their work, Mendelson studies the role these and other artists played in negotiating Spanish modernity and in conventional thinking about family and nation, rural and urban Spain, Republican and Fascist ideology.”

      —Lou Charnon-Deutsch,author of The Spanish Gypsy


      “This is a major study that I would expect to become a classic. The Spanish documentary practices chosen for analysis are all related to exhibition culture in some way but also to ethnographic studies in Spain at the time, which in turn provide crucial information about attitudes toward Spain’s relation to modernity and its ‘usable past.’”

      —Jo Labanyi,University of Southampton


      “Mendelson’s well-documented study sees this cultural phenomenon . . . as a recognition of the country’s modernity, or what modernity might have looked like in the Spain of the 1930s. . . . Smart, original, and well written, this book gives us a fresh view of artistic (documentary) activity during one of Spain’s most intense and troubled times.”

      —David T. Gies Virginia Quarterly Review


      “Smart, original, and well written, this book gives us a fresh view of artistic (documentary) activity during one of Spain’s most intense and troubled times.”

      —David T. Giles Virginia Quarterly Review


      Documenting Spain is an admirable book, enhanced by the gorgeous presentation afforded by its publisher. Mendelson proves that daring cultural analysis can, in fact, coexist with rich empirical research.”

      —Mauricio Tenorio Journal of Modern History



      Table of Contents

      Contents

      List of Illustrations

      Acknowledgments

      Introduction

      1. El Poble Espanyol/El Pueblo Español (1929)

      2 From Dalí’s “Documental-París—1929” to Buñuel’s Untitled (Eating Sea Urchins) (1930)

      3. Las Hurdes: Land Without Bread (1933)

      4. The Misiones Pedagógicas and Other Documentary Excursions

      5. Josep Renau and the 1937 Spanish Pavilion in Paris

      6. Salvador Dalí’s Le Mythe Tragique de l’Angélus de Millet (1932–38/1963)

      Epilogue

      Bibliography

      Index

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