Description
Book Synopsis1966: Baseball and America in the Space Age brings to life a year of transition in a country on the cusp of radical changes in politics, mores, and popular culture. What was mainstream in 1966 could be considered old-fashioned just a year or two later when the counterculture emerged as an important societal force; by the early 1970s, standards had loosened further when Hollywood producers broke free of the constraint of benign storylines in favor of movies and TV shows with political issues as their foundation.
With the baseball season as its narrative arc, 1966 traces the end of one baseball dynasty and the beginning of another while revealing untold stories and offering new perspectives about highly significant events in both baseball and the country’s affairs.
The Orioles shocked the baseball world with a World Series sweep; it sparked an American League dynasty and ended the Dodgers’ National League reign that had begun after World War II. But baseball’s significance went beyond box scores to establish equality, fairness, and social justice. In his Hall of Fame induction speech, Ted Williams used his clout to do what few, if any, of his peers had done publicly—call for the induction of players from the Negro Leagues; Emmett Ashford became the first black umpire in Major League Baseball; and Marvin Miller helped form the Major League Baseball Players Union, which changed the status of players from property of owners to free agents with bargaining power.
Against a backdrop of NASA’s five successful Gemini missions that set the stage for the Apollo moon landings, 1966 brings this amazing year to life. In addition to baseball and the Space Race, it will uncover massive changes in popular culture. Producer William Dozier brought a satirical version of the comic-book icon Batman to television, igniting a superhero phenomenon. Jacqueline Susann’s controversial novel Valley of the Dolls exposed the dark side of Hollywood with stories about drugs, sex, and mental illness. And Mission: Impossible premiered in 1966, offering great espionage fodder for Cold War audiences after James Bond became a household name in the early 1960s.
This book will remind readers of a time when social progress and cultural revolutions made Americans feel that the country’s promise was limitless.
Table of ContentsAcknowledgments
Introduction
Chapter 1: “Cannons at the Corners” (January)
Chapter 2: Hollywood’s Other Dynamic Duo (February)
Chapter 3: “Back in the Fold” (March)
Chapter 4: Is this heaven? No, it’s Anaheim. (April)
Chapter 5: Spies and Dolls (May)
Chapter 6: The Life and Times of Robert Simpson Petrie (June)
Chapter 7: A Great Speech in Cooperstown (July)
Chapter 8: Hail, Caesars Palace! (August)
Chapter 9: Impossible Missions, Daydream Believers, and the Final Frontier (September)
Chapter 10: Ain’t No Mountain High Enough (October)
Chapter 11: Splashdown (November)
Chapter 12: Joy to the World (December)
Bibliography
Index
About the Author
