Description

Book Synopsis
Do the Balkans Begin in Vienna? takes up one of the most fraught areas of Europe, the Balkans. Variously part of the Austro-Hungarian, Ottoman, and Byzantine empires, this region has always been considered Europe's border between the Orient and the Occident. Aiming to clarify the politics of drawing cultural borders in this region, the book examines the relations between the Habsburg Monarchy and the Balkans as an intermediate space between West and East. It demonstrates that the dichotomy Orient versus Occident is insufficient to explain the complexity of the region. Therefore, cultural multi-belonging, historical disruption, and recurrence of identities and conflicts are proposed to be the essence of the Balkans.
Do the Balkans Begin in Vienna? depicts the fictional imagination of the Balkans as a utopian dystopia. This oxymoron encompasses the utopian projections of the Austrian/ Habsburg writers onto the Balkans as a place of intact nature and archaic communities

Trade Review
«Ana Foteva’s ‘Do the Balkans Begin in Vienna?’ is an exemplary representation of the work necessary to understand in contemporary terms a region where nationalist-imperialist paradigms for cultural study simply do not hold. The text takes up several cultures and breathes life into their intersections, as they meet in the present, reawakening the joint legacies of three ancient empires (Habsburg, Ottoman, and Byzantine) out from behind the blackout curtain of the Soviet Union. She presents authors writing in German, Serbian, and Bosnian, each trying to understand what stories comprise the region’s inheritance beyond nationalism. Foteva’s deft juxtaposition of history, travelogue, and literature opens new visions of how cultures interact when they both share and are divided multiple. This volume is a must for anyone working in Austrian and Slavic literatures.» (Katherine Arens, University of Texas at Austin)
«Given the competing and overlapping legacies and identities that complicate the Balkans’ cultural landscape, it is very helpful to finally read a book that links the literature and history of the Habsburg and Ottoman realms. No less refreshing is a book that credits Yugoslavia with nurturing and preserving the region’s multicultural legacy at least until its own dissolution.» (Charles Ingrao, Purdue University)

Table of Contents
Contents: Introduction: The Balkans’ Postmodern Geography – Travelogues of War and Peace – Serbia: Between East and West – Bosnia-Herzegovina: Where Orient and Occident Meet – Slovenia and Croatia: Between the Balkans and Europe – The Balkans between Utopia and Dystopia – Myth and Memory in the Habsburg Monarchy and the Balkans.

Do the Balkans Begin in Vienna The Geopolitical

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    A Hardback by Ana Foteva

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      Publisher: Peter Lang Publishing Inc
      Publication Date: 1/22/2014 12:05:00 AM
      ISBN13: 9781433115653, 978-1433115653
      ISBN10: 1433115654

      Description

      Book Synopsis
      Do the Balkans Begin in Vienna? takes up one of the most fraught areas of Europe, the Balkans. Variously part of the Austro-Hungarian, Ottoman, and Byzantine empires, this region has always been considered Europe's border between the Orient and the Occident. Aiming to clarify the politics of drawing cultural borders in this region, the book examines the relations between the Habsburg Monarchy and the Balkans as an intermediate space between West and East. It demonstrates that the dichotomy Orient versus Occident is insufficient to explain the complexity of the region. Therefore, cultural multi-belonging, historical disruption, and recurrence of identities and conflicts are proposed to be the essence of the Balkans.
      Do the Balkans Begin in Vienna? depicts the fictional imagination of the Balkans as a utopian dystopia. This oxymoron encompasses the utopian projections of the Austrian/ Habsburg writers onto the Balkans as a place of intact nature and archaic communities

      Trade Review
      «Ana Foteva’s ‘Do the Balkans Begin in Vienna?’ is an exemplary representation of the work necessary to understand in contemporary terms a region where nationalist-imperialist paradigms for cultural study simply do not hold. The text takes up several cultures and breathes life into their intersections, as they meet in the present, reawakening the joint legacies of three ancient empires (Habsburg, Ottoman, and Byzantine) out from behind the blackout curtain of the Soviet Union. She presents authors writing in German, Serbian, and Bosnian, each trying to understand what stories comprise the region’s inheritance beyond nationalism. Foteva’s deft juxtaposition of history, travelogue, and literature opens new visions of how cultures interact when they both share and are divided multiple. This volume is a must for anyone working in Austrian and Slavic literatures.» (Katherine Arens, University of Texas at Austin)
      «Given the competing and overlapping legacies and identities that complicate the Balkans’ cultural landscape, it is very helpful to finally read a book that links the literature and history of the Habsburg and Ottoman realms. No less refreshing is a book that credits Yugoslavia with nurturing and preserving the region’s multicultural legacy at least until its own dissolution.» (Charles Ingrao, Purdue University)

      Table of Contents
      Contents: Introduction: The Balkans’ Postmodern Geography – Travelogues of War and Peace – Serbia: Between East and West – Bosnia-Herzegovina: Where Orient and Occident Meet – Slovenia and Croatia: Between the Balkans and Europe – The Balkans between Utopia and Dystopia – Myth and Memory in the Habsburg Monarchy and the Balkans.

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