Description
Book SynopsisExplores the dynamics of African American engagements with the Holy Odu, the unwritten sacred scriptures of the West African Ifa Orisha tradition. Examines the experiences of selected practitioners, focusing on the ways in which the divinatory narrative and associated mythology impact self-understanding and worldview.
Trade Review“Well-crafted case studies like Divining the Self are important contributions to the process of bringing religious studies into compatibility with the lived religious and scriptural practices of participants. Traditionally, scholars have focused on the text itself to find meanings based on words and concepts in order to claim religious relevance. This study looks beyond print and inscription by focusing on an influential oral and (relatively recently) written corpus in use among a participant population that outnumbers many ‘mainline’ Christian denominations.”
—Grey Gundaker,Duane A. and Virginia S. Dittman Professor of American Studies and Anthropology, College of William and Mary
“Captivating! Velma Love has crafted a very fine study of the Odu in diaspora. The historical, ethnographic work here fulfills the important promise of the Signifying (on) Scriptures model. Anyone interested in the social life of scriptures will value this book.”
—James S. Bielo,author of Words upon the Word and Emerging Evangelicals
“Velma Love’s Divining the Self is an excellent ethnography of Ifa divination tradition in the African American community of Oyotunji Village in South Carolina and in New York City. In this innovative book, Love provides an in-depth exploration of how a community of believers constructs a new identity for itself by digging deep and tapping into the spiritual source and ‘orature’ of the Yoruba of southwestern Nigeria. The theoretical and methodological frameworks she deploys inspire fresh ways of thinking about non-textual religion, identity construction, race, gender, and community life in modern contexts. This is a book that will interest a diverse group of scholars in folklore and literature, mythology, spirituality, and African and African American studies, to mention just a few.”
—J. K. Olupona,Professor of African Religious Traditions, Harvard Divinity School
“The breadth that Love manages to achieve in a work of this brief length is impressive. It takes account of festivals and archetypes, as well as Caribbean and West African traditions and their performances and revision in African American communities in the US.”
—K. M. Simmons Choice
“This historical context for researchers of contemporary Ifa/Orisha tradition in the United States remains vital, as well as being simply enjoyable reading for practitioners of Yoruba religion.”
—Daniel Foor Pomegranate: The International Journal of Pagan Studies
Table of ContentsContents
Preface and Acknowledgments
Introduction
1 Mythic Origins and Cultural Practices
2 Orisha Archetypes, Cultural Memory, and the Odu
3 Divining the Self
4 Symbols and Signposts for the Journey
5 Powers of the Mothers
6 Oshun, Yemonja, and Oya
Conclusion
Notes
Bibliography
Index
