Description
Book SynopsisIn Dissident Practices, Claudia Calirman examines sixty years of visual art by prominent and emerging Brazilian women artists from the 1960s to the present, covering the period from the military dictatorship to the return to democracy in the mid-1980s, the social changes of the 2000s, the rise of the Right in the late-2010s, and the recent development of an overtly feminist art practice. Though they were lauded as key figures in Brazilian art, these artists still faced adversity and constraints because of their gender. Although many of them in the 1960s and 1970s disavowed the term feminism, Calirman gives a nuanced account of how they responded to authoritarianism, engaged with trauma in the aftermath of the military dictatorship, interrogated social gender norms, and fought against women's objectification. By battling social inequalities, structures of power, and state violence, these artists create political agency in a society in which women remain targets of brutality and discrimi
Trade Review"Calirman’s use of the notion of resistance as the book’s central throughline effectively grounds these artists’ disparate works in a rich, nuanced, and concrete sociocultural context. We are presented, then, not with a narrow history of women’s art, but rather with a much broader history of social resistance from the point of view of women artists. . . . This book’s rich archive will plant the seeds of future research projects, and the unanswered questions that the book left me with will be soon taken up." -- Megan A. Sullivan * Revista *
"Calirman makes the case that the work of many Brazilian women artists in the late 20th century has been read exclusively through the lens of various feminist movements, even when these creators did not principally affiliate with them. . . . This sharp observation sets the stage for a revelatory reassessment of the legacy of women artists in Brazil during the tumultuous six-decade period from the rise of Brazil’s military dictatorship through the present." -- Valentina Di Liscia * Hyperallergic *
"In this concise, theoretically sophisticated, and meticulously researched book, Calirman surveys the work of activist women artists, some trans and queer, in the context of recent Brazilian history and the increasingly global art world. . . . This is an important addition to the literature, especially to the scholarship on modern and contemporary Brazilian art available in English. Essential. Lower-division undergraduates through faculty." -- E. Douglas * Choice *
"Calirman expertly contextualizes the work of significant Brazilian women artists within the political and social environments of their time." -- Christine Rosa * ARLIS/NA Reviews *
Table of ContentsAcknowledgments ix
Introduction 1
1. Political Practices 14
2. Discursive Practices 58
3. Transgressive Practices 108
4. Practices of the Self 148
To Be Continued 187
Notes 193
Bibliography 219
Index 237
