Description
Book SynopsisDisenfranchised from America explores the ways in which Vladimir Nabokov and Thomas Pynchon manipulate the fictional strategies of a novel in order to de-familiarize our perceptions of everyday objects and people. Estranging our regular everyday perceptions allows us to more pertinently and intensely examine the critical issues of morality and identity that have become exhausted and clichéd with over-examination. Nabokov''s Lolita preoccupies us with issues of morality, but the text also brings into question the nature of love and whether it is possible in our modern era, replete with self-conscious irony, to reinvent love and make it new again. In the same vein, The Crying Lot 49 by Pynchon compels us to re-register reality through a series of eye-opening guises and events that are potent with meaning but leave us estranged, full of unanswered questions and doubts. By reexamining America through an unfamiliar perspective, these novels allow us as readers to view the world anew. Throug
Table of ContentsChapter 1 Dedication Chapter 2 Introduction Chapter 3 Section I: Lolita Chapter 4 1.) Trickery and Linguistic Deviance Chapter 5 2.) Freud and American Suburbia Chapter 6 3.) Defamiliarization and Landscape Chapter 7 4.) The Underworld: America as a Movie Chapter 8 5.) The Resuscitation of the Romance Genre Chapter 9 6.) Defamiliarization and Language Chapter 10 Conclusion Chapter 11 Section II: The Crying Lot 49 Chapter 12 7.) The Inside-Outsider: Defamiliarization and the Narrator Chapter 13 8.) Illegitimacy and Disruptive Imagination Chapter 14 9.) W.A.S.T.E. Everywhere: Pynchon at the Movies Chapter 15 10.) 'The Direct Apocalyptic Word': Defamiliarization and Bakhtin Chapter 16 Conclusion Chapter 17 Final Remarks Chapter 18 Bibliography Chapter 19 End Notes Chapter 20 Index Chapter 21 About the Author
