Description
Book SynopsisThe counter-epic is a literary style that developed in reaction to imperialist epic conventions as a means of scrutinizing the consequences of foreign conquest of dominated peoples. It also functioned as a transitional literary form, a bridge between epic narratives of military heroics and novelistic narratives of commercial success. In Discourses of Empire, Barbara Simerka examines the representation of militant Christian imperialism in early modern Spanish literature by focusing on this counter-epic discourse. Simerka is drawn to literary texts that questioned or challenged the imperial project of the Hapsburg monarchy in northern Europe and the New World. She notes the variety of critical ideas across the spectrum of diplomatic, juridical, economic, theological, philosophical, and literary writings, and she argues that the presence of such competing discourses challenges the frequent assumption of a univocal, hegemonic culture in Spain during the imperial period. Simerka is especi
Trade Review“One must applaud the ambitious and far-reaching goals of the study. It is highly suggestive and engaging, with its own rather baroque discourse.”
—E.H. Friedman Choice
“Focusing mainly on the comedia, reviews counter-epic literary representations as discursive mediations questioning dominant ideologies, ways in which counter-epic texts contest imperialist practice and provide insights into the heterogeneity of early modern society.”
—Carmen Peraita Year’s Work in Modern Language Studies
Table of ContentsContents
Preface and Acknowledgments
1. Toward a Materialist Poetics of Counter-Epic Literature
2. "So That the Rulers Might Sleep Without Bad Dreams": Imperial Ideology and Practices
3. Liminal Identity and Polyphonic Ideology in Indiano Drama
4. The Early Modern History Play as Counter-Epic Mode: Cervantes’s La destrucción de Numancia and Lope de Vega’s Arauco domado
5. The Novelistic History Play: Rojas Zorrilla’s Numancia Diptych and González de Bustos’s Los españoles en Chile
6. "War and Lechery": La gatomaquia and the Burlesque Epic
7. Conclusions
Works Cited
Index
