Description

Book Synopsis
Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema.

Trade Review
“Addressing some of the most important issues faced by film and media scholars today, Shane Denson gives a surprising and highly cogent account of the changes that make for our current experience of ‘postcinematic’ audiovisual media. He powerfully shows how broad socio-technological forces work in the realm of visual media and suggests ways that such media can help us to grasp the scale and effects of those forces. An important book, Discorrelated Images offers major new contributions to film and media studies.” -- Steven Shaviro, author of * The Universe of Things: On Speculative Realism *
“Theoretically brilliant in its phenomenological conceptualization of discorrelation, Shane Denson's book reveals the perceptual and aesthetic discontinuities and continuities between film-based and digitally rendered cinema. Most significantly, Denson argues that understanding the effects of discorrelation and its expansion of our ways of seeing and being may provoke greater awareness of our existential precarity. A groundbreaking work.” -- Vivian Sobchack, author of * The Address of the Eye: A Phenomenology of Film Experience *
"The true strength of Discorrelated Images lies in Denson’s ability to make such dramatic claims about the role of technology in reshaping human subjectivity without ever veering into crude techno-determinism, or media-effects style moral panic... [It] is highly recommended to any reader with an interest in contemporary social and media theory.” -- Marcus Maloney * Thesis Eleven *
“For anyone concerned with digital media in particular and media theory in general, Discorrelated Images is essential reading.” -- Christian de Mouilpied Sancto * Film-Philosophy *

Table of Contents
Acknowledgments ix
Introduction. Discorrelation and Post-cinema 1
Part I. Theorizing Discorrelation
1. Crazy Cameras 21
2. Dividuated Images 51
3. Screen Time 73
Part II. Making Sense of Discorrelation
4. Life to Those Pixels! 113
5. The Horrors of Discorrelation 153
6. Post-cinema after Extinction 193
Notes 237
Bibliography 277
Index 293

Discorrelated Images

    Product form

    £21.59

    Includes FREE delivery

    RRP £23.99 – you save £2.40 (10%)

    Order before 4pm tomorrow for delivery by Thu 2 Jul 2026.

    A Paperback / softback by Shane Denson

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Discorrelated Images by Shane Denson

      Publisher: Duke University Press
      Publication Date: 09/10/2020
      ISBN13: 9781478010913, 978-1478010913
      ISBN10: 1478010916

      Description

      Book Synopsis
      Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema.

      Trade Review
      “Addressing some of the most important issues faced by film and media scholars today, Shane Denson gives a surprising and highly cogent account of the changes that make for our current experience of ‘postcinematic’ audiovisual media. He powerfully shows how broad socio-technological forces work in the realm of visual media and suggests ways that such media can help us to grasp the scale and effects of those forces. An important book, Discorrelated Images offers major new contributions to film and media studies.” -- Steven Shaviro, author of * The Universe of Things: On Speculative Realism *
      “Theoretically brilliant in its phenomenological conceptualization of discorrelation, Shane Denson's book reveals the perceptual and aesthetic discontinuities and continuities between film-based and digitally rendered cinema. Most significantly, Denson argues that understanding the effects of discorrelation and its expansion of our ways of seeing and being may provoke greater awareness of our existential precarity. A groundbreaking work.” -- Vivian Sobchack, author of * The Address of the Eye: A Phenomenology of Film Experience *
      "The true strength of Discorrelated Images lies in Denson’s ability to make such dramatic claims about the role of technology in reshaping human subjectivity without ever veering into crude techno-determinism, or media-effects style moral panic... [It] is highly recommended to any reader with an interest in contemporary social and media theory.” -- Marcus Maloney * Thesis Eleven *
      “For anyone concerned with digital media in particular and media theory in general, Discorrelated Images is essential reading.” -- Christian de Mouilpied Sancto * Film-Philosophy *

      Table of Contents
      Acknowledgments ix
      Introduction. Discorrelation and Post-cinema 1
      Part I. Theorizing Discorrelation
      1. Crazy Cameras 21
      2. Dividuated Images 51
      3. Screen Time 73
      Part II. Making Sense of Discorrelation
      4. Life to Those Pixels! 113
      5. The Horrors of Discorrelation 153
      6. Post-cinema after Extinction 193
      Notes 237
      Bibliography 277
      Index 293

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account