Disappearing Tricks revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. Where others have called upon magic as merely an evocative metaphor for the wonders of cinema, Matthew Solomon focuses on the work of the professional illusionists who actually made magic with moving pictures between 1895 and 1929.
The first to reveal fully how powerfully magic impacted the development of cinema, the book combines film and theater history to uncover new evidence of the exchanges between magic and filmmaking in the United States and France during the silent period. Chapters detailing the stage and screen work of Harry Houdini and Georges Méliès show how each transformed theatrical magic to create innovative cinematic effects and thrilling new exploits for twentieth-century mass audiences. The book also considers the previously overlooked roles of anti-spiritualism and presentational pe
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Received the Best Moving Image Book Award from the Kraszna-Krausz Foundation, 2011. A Choice Outstanding Academic Title, 2011.
"Along with intriguing insights into the early development of film,
Disappearing Tricks is a reminder that magic and movies involve playing with perceptions and making the appearance of reality seem malleable."--
ExpressMilwaukee.com"Students of magic history, film history, the intersection of both, and of Houdini's film career in particular, will all find much to enlarge their insight and understanding of these subjects."--
GENII "A sharp, sophisticated, and fascinating read."--Magicol
"Conjuring up an amazing trick of his own with this engaged scholarship, Solomon provides a fresh, fascinating display of theory applied to film history. This is one of the most succinct, scintillating books of the year. Essential."--
Choice"A truly important and impressive book, the most thoroughly researched and broadly conceived history of the interaction between magicians and cinema that anyone has offered or is likely to offer.”--Tom Gunning, author of
The Films of Fritz Lang: Allegories of Vision and ModernityTable of ContentsAcknowledgments Introduction; 1 An Anti-Spiritualist Medium: Stage Magic and the Beginnings of Cinema; 2 The Death of Magic? Presentational Performance and Early Film; 3 Behind the Curtain: Melies at the Theatre Robert-Houdin; 4 Up-to-Date Magic: Theatrical Conjuring and the Trick Film; 5 Houdini's Actuality Magic: Escaping the "Ghost House" with Moving Pictures; 6 Lost in Transition: Sensational Fiction and the Limits of Narrative Integration Epilogue; Notes; Bibliography; Index
