Description

Book Synopsis
Disappearing Men examines the complex and rebellious representations of gender in the work of several writers of ‘devolutionary’ Scottish fiction in the period 1979 to 1999. The study focuses on the context of a ‘crisis in masculinity’ accompanying the rapidly changing male role in the period, concluding that men often disappear from sight in this writing, highlighting issues of male insecurity and female disorientation in a new gender landscape. Hence the novels examined here by authors James Kelman, Jancie Galloway, Jackie Kay, A.L. Kennedy and Alan Warner, strongly challenge the stereotype of the Scottish ‘hardman’ and his dominance in 20th century Scottish fiction. Disappearing Men dissects this challenge by giving major consideration to the relationship between the innovative literary forms often found in this writing and the concepts of selfhood they give rise to. The possibilities inherent in these texts of reimagining gender identity and relations make them important contemporary documents of our struggles with realising selfhood and relations with others. A sustained and intimate analysis, this monograph will be of crucial interest to those concerned with issues of gender and representation in our rapidly changing era.

Trade Review
”… an invaluable addition to inquiries into the value and significance of dwelling for Scottish writers since the mid-nineteenth century, but also commendable for the method by which it outlines developments in ecological thought from this period onwards…” in: Scottish Literary Review, Vol. 2, No. 2, 2011

Table of Contents
Acknowledgements Introduction: Dissonant Selves and the Literature of Gender Disorientation Chapter One: James Kelman – “that was him, out of sight”: Masculine Models and Limitations Chapter Two: Janice Galloway – “Defying Gravity”: Escaping the Attractions of Patriarchy Chapter Three: Being Between: Passing and the Limits of Subverting Masculinity in Jackie Kay’s Trumpet Chapter Four: A.L. Kennedy – Indelible Belief: The Quest for Faith in Uncertainty Chapter Five: Alan Warner: Escape from Masculinity Afterword: “Burying the Man That Was” Bibliography Index

Disappearing Men: Gender Disorientation in Scottish Fiction 1979-1999

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    A Paperback by Carole Jones

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      Publisher: Brill
      Publication Date: Publication Date: 01/01/2009
      ISBN13: 9789042026988, 978-9042026988
      ISBN10:

      Description

      Book Synopsis
      Disappearing Men examines the complex and rebellious representations of gender in the work of several writers of ‘devolutionary’ Scottish fiction in the period 1979 to 1999. The study focuses on the context of a ‘crisis in masculinity’ accompanying the rapidly changing male role in the period, concluding that men often disappear from sight in this writing, highlighting issues of male insecurity and female disorientation in a new gender landscape. Hence the novels examined here by authors James Kelman, Jancie Galloway, Jackie Kay, A.L. Kennedy and Alan Warner, strongly challenge the stereotype of the Scottish ‘hardman’ and his dominance in 20th century Scottish fiction. Disappearing Men dissects this challenge by giving major consideration to the relationship between the innovative literary forms often found in this writing and the concepts of selfhood they give rise to. The possibilities inherent in these texts of reimagining gender identity and relations make them important contemporary documents of our struggles with realising selfhood and relations with others. A sustained and intimate analysis, this monograph will be of crucial interest to those concerned with issues of gender and representation in our rapidly changing era.

      Trade Review
      ”… an invaluable addition to inquiries into the value and significance of dwelling for Scottish writers since the mid-nineteenth century, but also commendable for the method by which it outlines developments in ecological thought from this period onwards…” in: Scottish Literary Review, Vol. 2, No. 2, 2011

      Table of Contents
      Acknowledgements Introduction: Dissonant Selves and the Literature of Gender Disorientation Chapter One: James Kelman – “that was him, out of sight”: Masculine Models and Limitations Chapter Two: Janice Galloway – “Defying Gravity”: Escaping the Attractions of Patriarchy Chapter Three: Being Between: Passing and the Limits of Subverting Masculinity in Jackie Kay’s Trumpet Chapter Four: A.L. Kennedy – Indelible Belief: The Quest for Faith in Uncertainty Chapter Five: Alan Warner: Escape from Masculinity Afterword: “Burying the Man That Was” Bibliography Index

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