Description

Book Synopsis
Directing with the Michael Chekhov Technique explores the collaborative process between a play's director and the entire production team, making the journey of a production process cohesive using the Michael Chekhov Technique. No other technique provides the tools for both actor and director to communicate as clearly as does Michael Chekhov. Directing with the Michael Chekhov Technique is the first book to apply the insights of this celebrated technique to the realities of directing a theatrical production. The book chronicles the journey of a play, from conception through production, through the eyes of the director. Drawn from the author's rehearsal journals, logs and notes from each performance, the reader is shown how to arrive at a concept, create a concept statement and manage the realization of the play, utilizing specific techniques from Michael Chekhov to solve problems of acting and design. As with all books in the Theatre Arts Workbook series, Directing wit

Trade Review
Provides performers and directors with a practical set of exercises and also with a lexicon with which they can articulate their practice. This, in turn, supports a focused, structured and navigable pathway through a potentially difficult and precarious career ... if the Chekhov Technique appeals to you, [this] will quickly become dog-eared and tatty. * Youth Theatre Ireland *

Table of Contents
Introduction Chapter One-Analysis and Composition of the Play Chapter Two-Archetypes and Casting Chapter Three-Creating the Ensemble-Establishing Atmosphere Chapter Four-Revealing the Language of the Rehearsal Process Chapter Five-Beginning Work on Scenes-Composition Chapter Six-Work on Individual Speeches-Composition Chapter Seven-Psychological Gesture as Action Chapter Eight-Character Relationships Chapter Nine-Chekhov and Musical Theatre/Opera Chapter Ten-Tempo Chapter Eleven-Characterization Chapter Twelve-Middle to Final Rehearsals Chapter Thirteen-Further Exercises for Teachers and Directors Conclusion

Directing with the Michael Chekhov Technique

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    A Paperback / softback by Dr Mark Monday

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      Publisher: Bloomsbury Publishing PLC
      Publication Date: 07/09/2017
      ISBN13: 9781474284035, 978-1474284035
      ISBN10: 1474284035

      Description

      Book Synopsis
      Directing with the Michael Chekhov Technique explores the collaborative process between a play's director and the entire production team, making the journey of a production process cohesive using the Michael Chekhov Technique. No other technique provides the tools for both actor and director to communicate as clearly as does Michael Chekhov. Directing with the Michael Chekhov Technique is the first book to apply the insights of this celebrated technique to the realities of directing a theatrical production. The book chronicles the journey of a play, from conception through production, through the eyes of the director. Drawn from the author's rehearsal journals, logs and notes from each performance, the reader is shown how to arrive at a concept, create a concept statement and manage the realization of the play, utilizing specific techniques from Michael Chekhov to solve problems of acting and design. As with all books in the Theatre Arts Workbook series, Directing wit

      Trade Review
      Provides performers and directors with a practical set of exercises and also with a lexicon with which they can articulate their practice. This, in turn, supports a focused, structured and navigable pathway through a potentially difficult and precarious career ... if the Chekhov Technique appeals to you, [this] will quickly become dog-eared and tatty. * Youth Theatre Ireland *

      Table of Contents
      Introduction Chapter One-Analysis and Composition of the Play Chapter Two-Archetypes and Casting Chapter Three-Creating the Ensemble-Establishing Atmosphere Chapter Four-Revealing the Language of the Rehearsal Process Chapter Five-Beginning Work on Scenes-Composition Chapter Six-Work on Individual Speeches-Composition Chapter Seven-Psychological Gesture as Action Chapter Eight-Character Relationships Chapter Nine-Chekhov and Musical Theatre/Opera Chapter Ten-Tempo Chapter Eleven-Characterization Chapter Twelve-Middle to Final Rehearsals Chapter Thirteen-Further Exercises for Teachers and Directors Conclusion

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