Description

Book Synopsis
Taking seriously the critical conception of diplomacy as the mediation of estrangement (by James Der Derian, Costas Constantinou, Noe Cornago et al), this book turns to the politics and laws that tie modern diplomacy to colonial cultures and the ‘genres of Man’ that they privilege.

In an attempt to read ‘the diplomatic’ from the African postcolony, the book probes the injunction at the center of the law of genre that states that ‘genres are not to be mixed.’ This enables it to investigate the citational/recitational forms of knowledge and practices of recognition that reproduce the diplomatic and colonial order of things in the African context.

Through a reading of literature, philosophy, and a multiplicity of everyday practices in Africa and its diasporas, the book explores amateur diplomatic practices that provide a counter-force to laws that prescribe faithfulness to a norm/form while proscribing the mixing of genres.

The main themes running through the theoretical and fictional texts include: amateur diplomacies, colonial laws of genre and genres of ‘man’, and the ethics of co-habitation. The different chapters focus on multiple conceptions of the foreign body (as extra-terrestrial aliens, disease, foreign organ, monsters, diplomats, non-citizens etc), postcolonial urban life,

Table of Contents

Part One: Epiparasites/Introductory Fragments

The Ghosts of Eugene-Terre-Blanche

Introduction: Laws and Lore of Genre

Chapter 1. Apocalypsis: Para-citing and Becoming Malcolm X

Chapter 2. Counting with Sister Hypatia

Part Two: Bios/Entanglements

Chapter 3. Philopoesis and/as Resistance (Essay)

Chapter 4. Postscripts (Short Story)

Chapter 5. Biocolonial and Racial Entanglements (Essay)

Chapter 6. Becoming with’ HIV/AIDS (Essay)

Part Three: Home/Abjection

Chapter 7. Inner-wares (Novella)

Chapter 8. Inter-city Half-lives (Essay)

Chapter 9. In Extremis: Diplomacies, Extremism, and Enmity

Chapter 10. Letters to Yvonne: Words and/as Worlds (Letters)

Chapter 11. Fishers-of-Men: A Lamentation (Poem)

Chapter 12. Counting Silently/Discretely: A Dirge

Part Four: Speculations/Hospitalities

Chapter 13. Childhood, Redemption, and the Prosaics of Waiting (Essay)

Chapter 14. Children of the Sand and Sea (Poem)

Chapter 15. Migricide, Hospitality, and Horror (Essay)

Chapter 16. Speculum/Speculations/On Birthing Tomorrow (Poem)

Part Five: Stagings/Falsifications

Chapter 17. Cinema-Body-Thought (Essay)

Chapter 18. Cinema is Our ‘Night School’ (Essay)

Chapter 19. Stagecraft/Statecraft/Mancraft

Chapter 20. Abusive Fidelities: Diplomacy and/as Translation

Epilogue: St. Augustine’s Phallus: Love, Diplomacy, and the Will-to-Convert

Diplomatic Para-citations: Genre, Foreign Bodies,

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    A Hardback by Sam Okoth Opondo

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      View other formats and editions of Diplomatic Para-citations: Genre, Foreign Bodies, by Sam Okoth Opondo

      Publisher: Rowman & Littlefield International
      Publication Date: 09/02/2022
      ISBN13: 9781786615848, 978-1786615848
      ISBN10: 1786615843

      Description

      Book Synopsis
      Taking seriously the critical conception of diplomacy as the mediation of estrangement (by James Der Derian, Costas Constantinou, Noe Cornago et al), this book turns to the politics and laws that tie modern diplomacy to colonial cultures and the ‘genres of Man’ that they privilege.

      In an attempt to read ‘the diplomatic’ from the African postcolony, the book probes the injunction at the center of the law of genre that states that ‘genres are not to be mixed.’ This enables it to investigate the citational/recitational forms of knowledge and practices of recognition that reproduce the diplomatic and colonial order of things in the African context.

      Through a reading of literature, philosophy, and a multiplicity of everyday practices in Africa and its diasporas, the book explores amateur diplomatic practices that provide a counter-force to laws that prescribe faithfulness to a norm/form while proscribing the mixing of genres.

      The main themes running through the theoretical and fictional texts include: amateur diplomacies, colonial laws of genre and genres of ‘man’, and the ethics of co-habitation. The different chapters focus on multiple conceptions of the foreign body (as extra-terrestrial aliens, disease, foreign organ, monsters, diplomats, non-citizens etc), postcolonial urban life,

      Table of Contents

      Part One: Epiparasites/Introductory Fragments

      The Ghosts of Eugene-Terre-Blanche

      Introduction: Laws and Lore of Genre

      Chapter 1. Apocalypsis: Para-citing and Becoming Malcolm X

      Chapter 2. Counting with Sister Hypatia

      Part Two: Bios/Entanglements

      Chapter 3. Philopoesis and/as Resistance (Essay)

      Chapter 4. Postscripts (Short Story)

      Chapter 5. Biocolonial and Racial Entanglements (Essay)

      Chapter 6. Becoming with’ HIV/AIDS (Essay)

      Part Three: Home/Abjection

      Chapter 7. Inner-wares (Novella)

      Chapter 8. Inter-city Half-lives (Essay)

      Chapter 9. In Extremis: Diplomacies, Extremism, and Enmity

      Chapter 10. Letters to Yvonne: Words and/as Worlds (Letters)

      Chapter 11. Fishers-of-Men: A Lamentation (Poem)

      Chapter 12. Counting Silently/Discretely: A Dirge

      Part Four: Speculations/Hospitalities

      Chapter 13. Childhood, Redemption, and the Prosaics of Waiting (Essay)

      Chapter 14. Children of the Sand and Sea (Poem)

      Chapter 15. Migricide, Hospitality, and Horror (Essay)

      Chapter 16. Speculum/Speculations/On Birthing Tomorrow (Poem)

      Part Five: Stagings/Falsifications

      Chapter 17. Cinema-Body-Thought (Essay)

      Chapter 18. Cinema is Our ‘Night School’ (Essay)

      Chapter 19. Stagecraft/Statecraft/Mancraft

      Chapter 20. Abusive Fidelities: Diplomacy and/as Translation

      Epilogue: St. Augustine’s Phallus: Love, Diplomacy, and the Will-to-Convert

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