Description

Book Synopsis
Explores the storytelling of Anna Seghers and other 20th-century writers who faced the tensions between aesthetics and politically conscious writing, between conformity and resistance. While Walter Benjamin, in his famous essay "The Storyteller" (1936), lamented the decline of the storytelling tradition in the age of the modernist novel, Anna Seghers and other twentieth-century German writers went on to chronicle the century's darkest days in creative and compelling ways. This volume is at its heart a tribute to Germanist Helen Fehervary, whose work, particularly on the prose of Anna Seghers, continues to inspire scholars who examine narration and storytelling. The subtitle quotation, "for once, telling it all from the beginning," is a translation of the phrase "einmal alles von Anfang an erzählen," from Seghers's exile novel Transit, in which she told notonly her own story but that of countless others who faced existential challenges in their attempts to escape the Nazi regime. This volume examines a number of such writers, exploring the tensions between aesthetics and politically conscious writing, as well as individual struggles involving conformity and resistance in a totalitarian state. Contributors: Peter Beicken, Hunter Bivens, Kristy R. Boney, Ute Brandes, Stephen Brockmann, Sylvia Fischer, Jost Hermand, Kristen Hetrick, Robert C. Holub, Weijia Li, Elizabeth Loentz, Michaela Peroutková, Benjamin Robinson, Christiane Zehl Romero, Marc Silberman, Andy Spencer, Luke Springman, Amy Kepple Strawser, Jennifer Marston William. Kristy R. Boney is Associate Professor of German at the University of Central Missouri. Jennifer Marston William is Professor of German and Head of the School of Languages and Cultures at Purdue University.

Table of Contents
Introduction: The Social, Political, and Personal Dimensions of Storytelling - Kristy R. Boney and Jennifer Marston William PART I. ANNA SEGHERS: A MISSING PIECE IN THE CANON OF MODERNIST STORYTELLERS Anna Seghers in Heidelberg: The Formative Years - Christiane Zehl Romero Who Is the Narrator? Anna Seghers's "The Excursion of the Dead Girls": Narrative Mode and Cinematic Depiction - Peter Beicken Anna Seghers's Rubble Literature, 1947-49 - Ute Brandes Anna Seghers and the Struggle to Tell Stories about the Nazi Past in the Early German Democratic Republic - Stephen Brockmann Aufbauzeit or flaue Zeit? Anna Seghers's GDR Novels - Hunter Bivens The Time of Decision in Anna Seghers - Benjamin Robinson Filling the Void with Stories: Anna Seghers's Conceptual Metaphors - Jennifer Marston William PART II. EXPRESSIONS OF MODERNITY: USING STORYTELLING UNCONVENTIONALLY Storytelling and Telling Stories in Heine's Prose Fiction - Robert C. Holub Modernist Haze: Topographical Textures in Paul Klee and Franz Kafka - Kristy R. Boney Synthesis and Transtextuality: The Jewish Reinvention of Chinese Mythical Stories in "Shanghai Ghetto" - Weijia Li American Children Writing Yiddish: The Published Anthologies of the Chicago Sholem Aleichem Schools - Elizabeth Loentz A Literary Depiction of the Homeland of Jews in Czechoslovakia and East Germany after 1945 - Michaela Peroutkova Changed for the Better? Alternative Uses of the Transformative Cancer Trope in Thomas Mann's Die Betrogene and Nadine Gordimer's Get a Life - Kristen Hetrick PART III. THE PERSONAL NARRATIVE: STORYTELLING IN ACUTE HISTORICAL MOMENTS Problems and Effects of Autobiographical Storytelling: Als Pimpf in Polen: Erweiterte Kinderlandverschickung 1940-1945 (1993) and A Hitler Youth in Poland: The Nazis' Program for Evacuating Children during World War II (1998) - Jost Hermand Too Near, Too Far: My GDR Story - Marc Silberman Conflict without Resolution: Konrad Wolf and the Dilemma of Hatred - Andy Spencer "Bleibt noch ein Lied zu singen": Autobiographical and Cultural Memory in Christa Wolf's Novel Kindheitsmuster - Luke Springman Narrating Germany's Past: A Story of Exile and the Return Home-A Translation of the Chapter "Above the Lake" from Ursula Krechel's Novel Landgericht - Amy Kepple Strawser Storytelling in the GDR: An Interview with Eberhard Aurich and Christa Streiber-Aurich - Sylvia Fischer Notes on the Contributors

Dimensions of Storytelling in German Literature

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    A Hardback by Kristy Kristy Boney, Professor Jennifer Marston William, Amy Kepple Strawser

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      Publisher: Boydell & Brewer Ltd
      Publication Date: 20/12/2018
      ISBN13: 9781640140400, 978-1640140400
      ISBN10: 1640140409

      Description

      Book Synopsis
      Explores the storytelling of Anna Seghers and other 20th-century writers who faced the tensions between aesthetics and politically conscious writing, between conformity and resistance. While Walter Benjamin, in his famous essay "The Storyteller" (1936), lamented the decline of the storytelling tradition in the age of the modernist novel, Anna Seghers and other twentieth-century German writers went on to chronicle the century's darkest days in creative and compelling ways. This volume is at its heart a tribute to Germanist Helen Fehervary, whose work, particularly on the prose of Anna Seghers, continues to inspire scholars who examine narration and storytelling. The subtitle quotation, "for once, telling it all from the beginning," is a translation of the phrase "einmal alles von Anfang an erzählen," from Seghers's exile novel Transit, in which she told notonly her own story but that of countless others who faced existential challenges in their attempts to escape the Nazi regime. This volume examines a number of such writers, exploring the tensions between aesthetics and politically conscious writing, as well as individual struggles involving conformity and resistance in a totalitarian state. Contributors: Peter Beicken, Hunter Bivens, Kristy R. Boney, Ute Brandes, Stephen Brockmann, Sylvia Fischer, Jost Hermand, Kristen Hetrick, Robert C. Holub, Weijia Li, Elizabeth Loentz, Michaela Peroutková, Benjamin Robinson, Christiane Zehl Romero, Marc Silberman, Andy Spencer, Luke Springman, Amy Kepple Strawser, Jennifer Marston William. Kristy R. Boney is Associate Professor of German at the University of Central Missouri. Jennifer Marston William is Professor of German and Head of the School of Languages and Cultures at Purdue University.

      Table of Contents
      Introduction: The Social, Political, and Personal Dimensions of Storytelling - Kristy R. Boney and Jennifer Marston William PART I. ANNA SEGHERS: A MISSING PIECE IN THE CANON OF MODERNIST STORYTELLERS Anna Seghers in Heidelberg: The Formative Years - Christiane Zehl Romero Who Is the Narrator? Anna Seghers's "The Excursion of the Dead Girls": Narrative Mode and Cinematic Depiction - Peter Beicken Anna Seghers's Rubble Literature, 1947-49 - Ute Brandes Anna Seghers and the Struggle to Tell Stories about the Nazi Past in the Early German Democratic Republic - Stephen Brockmann Aufbauzeit or flaue Zeit? Anna Seghers's GDR Novels - Hunter Bivens The Time of Decision in Anna Seghers - Benjamin Robinson Filling the Void with Stories: Anna Seghers's Conceptual Metaphors - Jennifer Marston William PART II. EXPRESSIONS OF MODERNITY: USING STORYTELLING UNCONVENTIONALLY Storytelling and Telling Stories in Heine's Prose Fiction - Robert C. Holub Modernist Haze: Topographical Textures in Paul Klee and Franz Kafka - Kristy R. Boney Synthesis and Transtextuality: The Jewish Reinvention of Chinese Mythical Stories in "Shanghai Ghetto" - Weijia Li American Children Writing Yiddish: The Published Anthologies of the Chicago Sholem Aleichem Schools - Elizabeth Loentz A Literary Depiction of the Homeland of Jews in Czechoslovakia and East Germany after 1945 - Michaela Peroutkova Changed for the Better? Alternative Uses of the Transformative Cancer Trope in Thomas Mann's Die Betrogene and Nadine Gordimer's Get a Life - Kristen Hetrick PART III. THE PERSONAL NARRATIVE: STORYTELLING IN ACUTE HISTORICAL MOMENTS Problems and Effects of Autobiographical Storytelling: Als Pimpf in Polen: Erweiterte Kinderlandverschickung 1940-1945 (1993) and A Hitler Youth in Poland: The Nazis' Program for Evacuating Children during World War II (1998) - Jost Hermand Too Near, Too Far: My GDR Story - Marc Silberman Conflict without Resolution: Konrad Wolf and the Dilemma of Hatred - Andy Spencer "Bleibt noch ein Lied zu singen": Autobiographical and Cultural Memory in Christa Wolf's Novel Kindheitsmuster - Luke Springman Narrating Germany's Past: A Story of Exile and the Return Home-A Translation of the Chapter "Above the Lake" from Ursula Krechel's Novel Landgericht - Amy Kepple Strawser Storytelling in the GDR: An Interview with Eberhard Aurich and Christa Streiber-Aurich - Sylvia Fischer Notes on the Contributors

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